When Peat see names and album art that suggests a band has an interest in old European history, Peat — after a sad necessity of background checking — takes a look. And when a band, like Eldingar do on their second album Lysistrata, says they’re drawing on black metal, folk, and melodeath, he hits play. You can bait a Peat with melodeath, but can you make him purr?
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Ephialtes – Melas Oneiros Review
Most of us started something new during the Covid pandemic. Polish scene veteran Quazarre (Devilish Impressions, Asgaard, Crionics) started another band and called it Ephialtes after the Ancient Greek word for nightmare. He then doubled down on it by calling the debut album Melas Oneiros, which means black dream, or nightmare. It’s not everyday someone is so considerate as to make their thematic inspirations so clear.
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Lowen – Do Not Go To War With The Demons of Mazandaran Review
Do Not Go To War With The Demons Of Mazandaran is one of the most metal album titles you’ll see this year. Dire warnings, demonology, striking statements? This is the good stuff! Why not start the Halloween festivities early this year with some HaLowen. 😉
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Kalandra – A Frame of Mind Review
What is metal? Is it about heaviness? An ethos? Similarity to other metal bands? On A Frame of Mind, Kalandra produce something alienated and questioning, something balanced between heavy and frail.
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Blighted Eye – Agony’s Bespoke Review
One of the joys of reviewing is forcing yourself to distill how you truly feel about a piece of art. The more complicated your initial feelings, the more fun the review is. As such, I should note the first words I spoke about Blighted Eye’s full length debut, Agony’s Bespoke, were that it was “all foreplay no climax”. So, did it eventually hit the right note for Peat?
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Wraithfyre – Of Fell Peaks and Haunted Chasms Review
One look at the giant purple tower on the cover of Wraithfyre’s Of Fell Peaks and Haunted Chasms was enough to let Peat know that this had to be frostbitten 90s melodic black metal and it had to be solid – an icy touch enough to peak your interest too, perhaps.
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Dark Tranquillity – Endtime Signals Review
No band has meant more to me than Dark Tranquillity. Yet somehow I’d have missed the release date of Endtime Signals if friends hadn’t reminded me. Part of that is me living a more complicated life now I’ve grown up. The other part though is that age has simultaneously fractured Dark Tranquillity’s line-up while also ushering in a calmer sound with less wild album to album evolution. They’re not releasing bad albums, but they’re not punishing heavens any more either.
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Vanessa Funke – Void Review
Funke writes and writes. It almost makes the album name Void quite ironic as that’s the opposite of her discography. However, it is an apt fit for the melancholic tone she often adopts for her work. Last time around I wanted more of that bleak, sad goodness in Funke’s work. Will she fill that Void?
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Nyktophobia – To The Stars Review
For those who do not know, Nyktophobia means a fear of the dark. I imagine a full quarter of those reading this have started whistling or imitating the air raid siren. Nyktophobia don’t have any particular ties to that sound, but it’s still a good name for them as their fourth album, To The Stars, features a dark and emotional take on melodic death metal.
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Crypts of the Unknown: Animosity – Animal
