The Screaming of the Valkyries is a well-executed blast of catchy, escapist bombast that stands up to multiple listens. In particular, Anti-Peat can’t help but think how after many reviews complaining about overambitious writing and poor structure, Cradle of Filth’s songwriting drags his attention back time after time. The thing is while he’s a sucker for catchy, escapist bombast. Have you figured out what escapist bombast means to you yet, dear reader? You might just need to to get down with the CoF.
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Heathen Heretic – Whispers From The Abyss Review
Subconsciously, I wanted to see whether this was a band that shoved together elements that sounded cool without thought, or whether there was a more deliberate philosophy at work. The other part of hitting play on Whispers from the Abyss is that Heathen Heretic are touted as playing blackened melodic death metal, and as the resident melodeath hating melodeath lover, I can’t help myself from searching for a whisper of something good in that abyss.
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Aitheer – The Serpent Review
Many a reviewer will tell you that music PR is good mainly for laughs or danger warnings, but I find it a useful guide to a band’s intentions. You see, where most PR releases cite influential and benchmark bands, Aitheer’s mentions none and instead throws around words like cinematic and theatric. And just like that, I have a way to frame The Serpent.
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Maud The Moth – The Distaff Review
For the past month, all I heard was “Maud the Moth AotY”, counterpointed by the disgust of a certain caprine tyrant at such statements in early February. Suffice to say by the time I actually got to hear The Distaff, my appetite was well and truly whetted.
Is Peat singing praises or sighing into the void?
Ereb Altor – Hälsingemörker Review
One of the best trends in metal right now is the recent spate of black-trad hybrids. It’s a welcome revival of a combination with a long history that makes a ton of sense as their shared love of drama goes together like blood and ice. Ereb Altor know what I’m talking about — they take their sanguine cocktails on the rocks just like Anti-Peat.
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Lord Agheros – Anhedonia Review
Anhedonia clearly stretches the black metal genre tag a very long way. Yes, you can hear practices inherited from black metal bands in Lord Agheros’ work, but they’re all quite divorced from the traditional framework. Yet without using that genre tag, without expressing a desire to belong to that movement, I’d have maybe missed this and that’d have been a shame.
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Shrieking Demons – The Festering Dwellers Review
Shrieking Demons namecheck Death and Autopsy as their comparables. In terms of style, that’s pretty accurate as long as we’re talking about those bands in their earlier, rawer eras. The Festering Dwellers is all malevolently melodic riffs and pounding rhythms. Is somebody gonna match their shriek?
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Sabhankra – Nocturnal Elegies Review
Album names shape expectations, and Nocturnal Elegies suggested something atmospheric. Sabhankra’s mix of melodic black metal, folk, and even thrash reinforced that idea — but they defied expectations.
Sometimes, it’s good to be wrong.
Wyatt E – Zamāru Ultu Qereb Ziqquratu Part 1 Review
Music for staring balefully at deserts is music for staring balefully at deserts, wherever you are. Yet those Middle Eastern accents are prominent, and so too is a certain stoner drone doom vibe. Wyatt E are wearing a lot of hats here. And it’s glorious.
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Crypts of the Unknown: Animosity – Animal
