I checked out Uulliata Digir on a whim, one cold Monday evening while half asleep from work. Little of what I was hearing was taken in because of this, but the vocals pierced through the tired mist of my blue-collar existence. Suddenly, Croque woke up.
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Crypts of the Unknown: Khonsu – The Xun Protectorate
Join us as Metalligator reminisces on Khonsu’s 2016 release The Xun Protectorate. Oh, never heard of it? Well here in the Crypts we specialize in the unknown, the uncelebrated, and the uncovered, no matter how recent or distant. We can’t keep all our dirty little secrets… though we have to admit, it’s easy to keep secrets in the depths of space…
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Metalligator’s Favorite Albums of 2024
The Goat Review presents an annual special: Metalligator’s Favorite Albums of 2024. Find out what our resident artist/writer deems worthy. Bon appétit!
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Imago Resonantia – Celebrating the Visuals of Metal in 2024
The Goat Review presents an annual special: Celebrating the Visuals of Metal in 2024. Sometimes visual art speaks louder than riffs.
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Thy Catafalque – XII: A gyönyörü álmok ezután jönnek Review
With a long and spicy Hungarian title, XII: A gyönyörü álmok ezután jönnek is by all counts a folk album. It uses folk music as a basis for its rhythms in bright and airy compositions, filled with a large variety of vocals. It’s also a metal album, which is what it presents as at first with the heaviest compositions landing in the first third of the album.
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Ulver – Liminal Animals Review
The opener on Liminal Animals sounds like a statement of fatigue in its lyrics: repeated words from previous songs, the nature of sound as “Moving objects / The music they make” all the while distinct eras of Ulver clash in intuitively written songs.
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Opeth – The Last Will and Testament Review
Make Åkerfeldt growl again” (#MÅGA). This is the premise on which The Goat Review makes its firmest political stance.
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The Black Dahlia Murder – Servitude Review
For newcomers, Servitude serves up the same kind of cutthroat melodic death metal that this band has been putting out for shy over 20 years now, with a sound that bleeds in colors of Carcass and At the Gates, among others. Fans will find a good album that harkens back to the sound of albums like Nocturnal. The Black Dahlia Murder are very much still alive.
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Swallow the Sun – Shining Review
The deathly doom metal of Swallow the Sun used to be offset with moments of cold beauty and increasingly pop oriented vocal lines, that still managed to feel like a fresh breath visible in the chill air. This has been turned on its head on Shining, a move that in hindsight was well telegraphed over the last two albums the band put out.
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Crypts of the Unknown: Blunt Force Trauma – Vengeance for Nothing
