“The vibes are right” is not a sufficient review. Unless Scuttlegoat has his way and proves indeed that with enough words, “The vibes are right” is a sufficient review. Come found out if this slab of brutal death metal hits that sweet spot.
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Ploughshare – Second Wound Review
Albums sometimes communicate things to Scuttlegoat before he has even heard them. Sometimes this is done via the promo blurb telling him to be wary. Other times, a combination of album cover, album and track titles will tell him what to expect. While more casual metal listeners often sneer about anything that pushes beyond the 5 minute mark, to Scuttlegoat colossal song lengths might also communicate to seasoned metal listeners like himself that the album at hand is advanced listening or at least making an attempt at being a more profound, distinguished work.
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Veilburner – The Duality of Decapitation and Wisdom Review
The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?
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Spooktober Pairing! Impaled vs Yuzna and Gordon
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat and Transcendental Goose Boss steps forward to recommend you an album from the wild, splattery death metal side, Death After Life (by Impaled), and a classic of splatstick sexual deviance, Re-Animator (by Stuart Gordon and Brian Yuzna). Partake in one or both or neither, just know that Death After Life and Re-Animator promise that there’s more to the end than a mouthful of dirt…
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Ataraxie – Le Declín Review
Extreme metal can take many forms. But in this time of ours where acts try to out-Flanderize each other — essentially extremity fitting into the mold of extremity to be extreme — there is less and less that can actually be considered extreme. Ataraxie present their vision of funeral doom as a no-frills, heavily death metal inspired affair. It may be slow, but will it rush to the top of you doom metal essentials?
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Spooktober Pairing! Fulci vs Fulci
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, Tropical Sun (by Fulci), and a classic of undead rising, Zombi 2 (by Lucio Fulci). Partake in one or both or neither, just make sure you can tell apart Fulci from Fulci…
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Blood Incantation – Absolute Elsewhere Review
2022’s Timewave Zero served a synth-oriented ambient (zero death metal) work that felt more like a proof of concept than an album fully formed. Simple and not particularly deep synth textures could not feed what deathheads craved, and for synth enthusiasts, Timewave Zero had nothing to offer that could not be found much better elsewhere. In hindsight, that album appears to have been a necessary stepping stone. It’s not out of nowhere that Blood Incantation has called forth Absolute Elsewhere — OPEN THE FUCKING GATE.
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Spooktober Pairing! The Berzerker vs Shinya Tsukamoto
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, The Berzerker (by The Berzerker), and a film from the honorable terror, Tetsuo: The Iron Man (by Shinya Tsukamoto). Partake in one or both or neither, just make sure it doesn’t drive you berserk…
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Spooktober Pairing! Regurgitate vs Peter Jackson
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the gore-kissed side, Carnivorous Erection, and a film from the spewing side, Braindead. Partake in one or both or neither, just make sure it doesn’t last more than four hours…
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Crypts of the Unknown: 2024 Vol. 1
