Slam might be hard to understand for the casual listener, the poseur and the weenie, but it is undeniable that, while the technique on how to Slam is a pretty narrow and well defined spot, there are many roads to Rome. But are those roads made of stone? Embrace Your Punishment!
Read moreSOL – Promethean Sessions Review
The album oscillates between droney soundscapes that come across as somewhat improvised, and more focused gothic-leaning classic Doom. I am not aware of the methodology of improvisation used here, whether there were rules or guidelines, but the droney sections of the album are pleasant and even provide a sense of mental relief. But is this all enough to set Goat’s charts ablaze?
Read morePerky Macabre / SPÖoÖoKY STEVE – Halloween Kills Review
Perky Macabre never changes and has seemingly no desire to. If his music is supposed to be a joke, the literal zero supporters on most of his EP’s suggest that no one finds it particularly funny, either. Maybe that is why I can’t get him out of my head. Perky man, get out of my room!
Read moreNeurectomy – Overwrought Review
Tech Death used to be an arms race of dishing out what some might consider too many notes in too little time. Nowadays a lot of Tech Death has lost that aspect in what I suspect is a pursuit of greener (read: more profitable) pastures and a style of Tech that is basically a heightened form of melodic Death Metal seems to be the norm. Neurectomy make an attempt at reviving this classic style of Tech Death. Overwrought or overwritten?
Read moreSuffocation – Hymns From the Apocrypha Review
The band lost a lot when Frank Mullen decided to pursue being an actor, gifting the world his performance as the Manhattan Mutilator in James Balsamo’s Sexy Time. Mullen was an icon, much more than any of the other members could be. Yet, Mullen isn’t the most unique sounding vocalist in 2023 and it makes sense that the vocal performance of current vocalist Ricky Myers is noticeably different. Definitely not asphyxiated.
Read moreAutopsy – Ashes, Organs, Blood and Crypts Review
Autopsy have a new album and it is time for The Goat to, yet again, praise the band for doing the things he would criticize other acts for. Autopsy sticks to what they know, but with Ashes, Organs, Blood and Crypts coming out barely a year after their last, should The Goat be concerned? Well there are guts in his teeth…
Read moreWarcrab – The Howling Silence Review
The Howling Silence is definitely very easy to listen to. The material grooves and very little about it is inoffensive. Safe to say, this Warcrab will not leave you shell-shocked.
Read moreDungeon Wolf – The White Elf Review
I fail to believe that someone could have made an album like this and still be willing to release it, but incompetence goes a long way. The music may be as questionable as the mullet but rest assured, the sharpness of the sword will lure you in.
Read moreWayfarer – American Gothic Review
Atmosphere in Wayfarer’s world is a consequence of understanding the history of the genres they decided to meld, rather than relying on samples or insisting on flavor where there is none, like so many Black Metal artists tend to do. Take a sip of American Gothic.
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