Filth. Filth is to the modern Death Metal fan what atmosphere is to the Black Metal Fan. Often, the sales pitch I get from non-reviewers is that an album is “seriously filthy”. As a descriptor, this helps very little in describing an albums sound, but it is even less conductive in referring to the writing of an album, which I ultimately put more emphasis on as a reviewer than sound. Don’t take a shower yet, you still have to read the review!!
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Undulation – An Unhealthy Interest in Suffering Review
Undulation got cred from the hipster-ish side of the metal internet, and they frankly do check out all the boxes. For a Death Metal Band, they are more emotionally driven and the female vocalist does a lot to sell it. Scuttlegoat has an unhealthy interest in Death Metal.
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Walking Corpse – Our Hands, Your Throat Review
When people say Deathgrind, they can mean many different things. It is a hybrid genre, after all, and it can run the gamut from what is basically punk with growls to relentless, chaotic blasting. Walking Corpse however fit into a third category. Relentlessly supplying riff after riff after riff, they take no prisoners. Their Arms, Our Hearse.
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Embrace Your Punishment – Made of Stone Review
Slam might be hard to understand for the casual listener, the poseur and the weenie, but it is undeniable that, while the technique on how to Slam is a pretty narrow and well defined spot, there are many roads to Rome. But are those roads made of stone? Embrace Your Punishment!
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SOL – Promethean Sessions Review
The album oscillates between droney soundscapes that come across as somewhat improvised, and more focused gothic-leaning classic Doom. I am not aware of the methodology of improvisation used here, whether there were rules or guidelines, but the droney sections of the album are pleasant and even provide a sense of mental relief. But is this all enough to set Goat’s charts ablaze?
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Perky Macabre / SPÖoÖoKY STEVE – Halloween Kills Review
Perky Macabre never changes and has seemingly no desire to. If his music is supposed to be a joke, the literal zero supporters on most of his EP’s suggest that no one finds it particularly funny, either. Maybe that is why I can’t get him out of my head. Perky man, get out of my room!
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Neurectomy – Overwrought Review
Tech Death used to be an arms race of dishing out what some might consider too many notes in too little time. Nowadays a lot of Tech Death has lost that aspect in what I suspect is a pursuit of greener (read: more profitable) pastures and a style of Tech that is basically a heightened form of melodic Death Metal seems to be the norm. Neurectomy make an attempt at reviving this classic style of Tech Death. Overwrought or overwritten?
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Suffocation – Hymns From the Apocrypha Review
The band lost a lot when Frank Mullen decided to pursue being an actor, gifting the world his performance as the Manhattan Mutilator in James Balsamo’s Sexy Time. Mullen was an icon, much more than any of the other members could be. Yet, Mullen isn’t the most unique sounding vocalist in 2023 and it makes sense that the vocal performance of current vocalist Ricky Myers is noticeably different. Definitely not asphyxiated.
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Autopsy – Ashes, Organs, Blood and Crypts Review
Autopsy have a new album and it is time for The Goat to, yet again, praise the band for doing the things he would criticize other acts for. Autopsy sticks to what they know, but with Ashes, Organs, Blood and Crypts coming out barely a year after their last, should The Goat be concerned? Well there are guts in his teeth…
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Crypts of the Unknown: Loss – Horizonless
