Somewhere deep in a Finish archipelago on a breezy and mild summer’s day a smorgasbord is taking place. At a wooden table surrounded by many Finns sits a metal loving bat. Looking more closely he has a huge grin on his face as 70s aesthetic sauce is dripping all over his chicken parm sandwich. Will you join him? Is this the sauce of the summer?
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Liminal Shroud – Visions of Collapse Review
Peat counts himself an atmoblack fan but at the same time, believes there are a lot of bands that prove the haters right. It’s a tough style to get right. That’s why the intro of Liminal Shroud’s Visions of Collapse filled him with hope and fear at the same time. As the curtain falls, what will your vision be?
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Diskord / Atvm – Bipolarities Review
Atvm and Diskord seem to approach the medium of the split with an awareness of its usual pitfalls. Bipolarities is album length and the title hints at the fact that indeed, this is an album of two distinct halves. One band says they play nice together, and the other claims that the first is lying. What’s a Goat to believe?
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Black Hole Deity – Profane Geometry Review
A bear is still loose at the Goat Review HQ, it seems to sustain itself on death metal… Hyperdontia didn’t really satiate its hunger though so we threw it some Black Hole Deity.
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Malconfort – Humanism Review
The term “avant-garde” gets thrown around a lot in music whenever a band releases something even slightly off-kilter. The reality is, however, that only a handful of bands actually meet that mark, and do it well — but do newcomers Malconfort have the necessary skills?
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Sear Bliss – Heavenly Down Review
There is space for many more brass instruments in metal. We have violins galore and keys by the score but not enough brass. Happily, Sear Bliss understand this. That’s why they have a trombonist. Come, everyone, let’s look at Anti-Peat’s tromboner.
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Restrictor Plate – SLAMTONA 500 Review
Slam is as simplistic as it gets —barbaric, primitive, and not entirely unproblematic. And we here at Goat Review proudly celebrate these arts with our annual Slamuary tradition. But, we also ask the difficult questions, like should we also be celebrating in July?
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Julie Christmas – Ridiculous and Full of Blood Review
The raw intensity and emotional depth of Julie Christmas and her sound
with Battle of Mice opened our Inksterium’s ears to a new spectrum of sonic possibilities. And now, fourteen years after her solo debut, Julie Christmas is once again taking our reviewer through a labyrinth of dark and complex textures and feelings. Don’t let that smile fool you though… or maybe let it and grin bloody with Julie Christmas.
Hemorrhoid – Raw Materials of Decay Review
With an album cover consisting of somewhat medically accurate gore and a band pic taken on a venue toilet, we know that Hemorrhoid have no aspirations to do anything high brow or distinguished: Hemorrhoid play goregrind. Goregrind can be tough to review, as often, the genre is not made with the intent to deliver quality. Our Goat knows his brutal, underground scenes, so what sort of extreme pain have Hemorrhoid inflicted?
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Crypts of the Unknown: Bergraven – Det Framlidna Minnet
