Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Tubal Cain, Shrieking Demons, Lord Agheros, and Phrenelith, you can do that too!
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Tubal Cain – Slime Abyss Review
Black metal used to be about icy feelings — depression, hate , borderless self-expression. Scuttlegoat, for one, is quite glad that black metal musicians have discovered that having material that can actually be grabbed on to is beneficial. He wholly welcomes the rise of blackened traditional metal, which Tubal Cain and Slime Abyss fall into nicely. What once was kvvl is now kvlt again.
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Phrenelith – Ashen Womb
Danish deathmongers Phrenelith have unleashed a monstrous slab of death metal with Ashen Womb, an album that immediately engulfs the listener in its suffocating atmosphere. From the opening moments, Phrenelith’s dense, unrelenting sound conjures the spirit of Immolation, bombarding my senses with a massive wall of sound. This womb is made for rockin’.
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Lord Agheros – Anhedonia Review
Anhedonia clearly stretches the black metal genre tag a very long way. Yes, you can hear practices inherited from black metal bands in Lord Agheros’ work, but they’re all quite divorced from the traditional framework. Yet without using that genre tag, without expressing a desire to belong to that movement, I’d have maybe missed this and that’d have been a shame.
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Shrieking Demons – The Festering Dwellers Review
Shrieking Demons namecheck Death and Autopsy as their comparables. In terms of style, that’s pretty accurate as long as we’re talking about those bands in their earlier, rawer eras. The Festering Dwellers is all malevolently melodic riffs and pounding rhythms. Is somebody gonna match their shriek?
Read moreThis Week In Metal, 2025 Week 7
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Pentagram, Othaliël, Fleshbore, and Sabhankra, you can do that too!
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Fleshbore – Painted Paradise Review
Fleshbore don’t reinvent anything on Painted Paradise, instead sticking to the tried-and-trve formula of machine-gun blasts, rapid-fire vocals, and riffs for days. Who needs a revamp when the wheel is ablaze?
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Othaliël – Ectrülhys Review
For the first time since the Pandora’s box of Esoctrilihum opened, project mastermind Asthâghul created a side project. Othaliël is the folk-tinged fever dream parallel to Esoctrilihum’s metal-induced psychosis. You could call it a folk in the road.
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Pentagram – Lightning in a Bottle Review
What about Pentagram has ever been “Lightning in a Bottle”? Pentagram are, fundamentally, the first all-American Sabbath rip-off. Given, Pentagram were early adopters, releasing singles all throughout the ’70s even if the first full-length only materialized in the mid-’80s. Being early is not always a good thing. Good thing lightning in a bottle strikes exactly when it needs to. Like a wizard. That’s how that works, right?
Read moreUnlock the Krypts
Crypts of the Unknown: Loss – Horizonless
