How would a painter handle sound? Pretty damn well, it turns out. Mondestunken’s most defining feature is Alex Weber’s bass, a dynamic center-point which leads the songs on a drunken stroll, calling to mind the style of Aseitas or perhaps even the jazzy all out war of Sarmat’s debut album with its technical dissonance. But for all its flash, does it have its own style?
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This Week In Metal, 2024 Week 35
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Feind, Nebülith, Aseitas, Har, and Seth, you can do that too! I
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Aseitas – Eden Trough Review
Experimentation is abundant in the extreme bounds of metal today. While a lot of bands look for something worthwhile by trying odd techniques, it’s easy to lose sight of working on a defining sound, something that makes a band have that special pull divorced from just pure technique. Aseitas had that from the start. But it’s been a long, trough road for them.
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Crypts of the Unknown: Bergraven – Det Framlidna Minnet
