Riffs are in their essence circular, a series of chords repeated over the course of a piece of music to make it feel more coherent or to carry a theme. On The Orb, Gorod ask themselves the scientific question of “What if the riffs were even MOAR circular?”, maybe even spherical? Get a load of this jawbreaker!
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Ulthar – Helionomicon Review
Ulthar impressed me mightily with the release of Providence in 2020, an album that felt unhinged and slightly chaotic but that still kept the momentum up with plenty of ideas. Fast forward to the current year and Ulthar announces that they are releasing not one, but two follow-ups to their sophomore album. Was this bold decision worth the wait?
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Ulthar – Anthronomicon
Ulthar embrace chaos in their songwriting, which can manifest as a sound that’s creatively unhinged or a sound that’s flailing without direction – sometimes all at once. Anthronomicon follows the same path as its sister album Helionomicon, only in shorter segments.
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Conjureth – The Parasitic Chambers Review
Conjureth are certainly talented. The band deals in a type of auditory chaos that could just as well be considered sloppy but that adds to the experience here – an album so aggressive and wild, bursting at its seams, that the musicians can barely hold it together. Enter the chambers of Conjureth!
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Sagen – Roots of Proctor Review
While Deathcore in expression and production, Roots of Proctor is more Death Metal in technique. This might not seem like much but this marks a crucial difference in that Sagen show that they are not one of the Deathcore bands that rely on breakdowns to save every song. So in the absence of many breakdowns, what makes it worth your time?
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Defect Designer – Neanderthal Review
What a time to be alive—two great grindcore albums in a week! What a shame that Wormrot will inevitably overshadow Defect Designer’s Neanderthal, as the album is quite good. Don’t miss out!
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Crypts of the Unknown: Khonsu – The Xun Protectorate
