Heathen Heretic – Whispers From The Abyss Review

Subconsciously, I wanted to see whether this was a band that shoved together elements that sounded cool without thought, or whether there was a more deliberate philosophy at work. The other part of hitting play on Whispers from the Abyss is that Heathen Heretic are touted as playing blackened melodic death metal, and as the resident melodeath hating melodeath lover, I can’t help myself from searching for a whisper of something good in that abyss.

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The Halo Effect – March of the Unheard Review

Stretching beyond melodeath’s greatest works is a long tail of releases that are banal, toothless, or some combination thereof. In theory, The Halo Effect’s roster of In Flames alumni fronted by Dark Tranquillity’s Mikael Stanne is great news for people hoping for more gems. But if you can hear their riffs from a mile away, how can their march be so silent?

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Ephialtes – Melas Oneiros Review

Most of us started something new during the Covid pandemic. Polish scene veteran Quazarre (Devilish Impressions, Asgaard, Crionics) started another band and called it Ephialtes after the Ancient Greek word for nightmare. He then doubled down on it by calling the debut album Melas Oneiros, which means black dream, or nightmare. It’s not everyday someone is so considerate as to make their thematic inspirations so clear.

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Iotunn – Kinship Review

Access All Worlds, Iotunn’s first full-length release, took the Gator’s top spot back in 2021. While in hindsight, he may choose different these days, Aldará’s vocals are in part the anchor that makes Access All Worlds remarkable to the Gator, as the music leaves a lot of room for him to insert melodrama and meaning to the often grand sounding riffs. But will Kinship remain in kissing favor with our favorite reptilian?

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