Metalcore was always present in Sylosis’ concoction of genres but it always tilted more towards the older Hardcore leaning bands. Opening song “Deadwood” is like an autostereogram of small amounts of Dyscarnate stomp and shouted Slipknot vocals that gradually come into focus in a Linkin Park refrain. But in the end, does it even matter? Find out in this review…
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This Week in Metal, 2023 Week 35
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Nuclear Power Trio, Grand Cadaver, Massen, Soen, Blut aus Nord, and Exmortus, you can do that too!
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Massen – Gentle Brutality Review
A hazard of venturing into deeper waters of dissonance and the more extreme ends of Metal is that these genres have a hard time impressing on that end as they have to balance melody and heaviness. Despite this I still enjoy melody, groove and selectively catchy material but drift away from things that mix in overt aspects of Pop melody. Bands like Massen are instantly fighting an uphill battle for my interest, then. But impressively, this Belarus duo bring some serious skill to the format. Massenive skill.
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Kalmah – Kalmah Review
It was only during a short stint with a local melodeath band that Scuttlegoat decided to reevaluate his bias towards the melodic death metal and gave Kalmah another chance. Did the Finns convince him?
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Inferion – Inequity Review
If you’re going to viking, you actually have to be a viking.
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Wolfheart – King of the North Review
Tuomas Saukkonen‘s albums all sound the same. This is both good and not so good depending on the result. At worst it can feel like […]
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The Halo Effect – Days of the Lost Review
“Lost Days” might have been a better title for this album as these former members of In Flames, joined by Dark Tranquillity vocalist Mikael Stanne, […]
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Crypts of the Unknown: Incubator – McGillroy the Housefly
