Fleshworks arrives with an album cover reminiscent of NIN’s art-style, and singles that sound even more commercial than Pupil Slicer’s sophomore album, Blossom. As someone who spun The Fragile on repeat for the entirety of their teenage years, the question sitting at the top of Croque’s mind then is: can Davies and co handle the commercial sound as well as a heroin-fueled Trent Reznor?
Read moreCyberaktif – eNdgame Review
Sophomore Cyberaktif album eNdgame arrives with a ton of history resting on its shoulders, with some of its songs beginning life as a Skinny Puppy album that never saw release. Industrial history lesson from Metalligator to get this weekend started!
Read moreChelsea Wolfe – She Reaches Out To She Reaches Out To She Review
As variety is the name of the game, you never know what sonic territory Wolfe explores on a new album until you press play. Will the direction of She Reaches Out To She Reaches Out To She (no this isn’t a typo) strike Croque’s fancy?
Read moreAutarkh – Emergent Review
Emergent turns inward and outward at the same time. The beats and glitches take on an Industrial character and serve the story more than before. I am no longer disappointed but genuinely intrigued. Emergent quality.
Read morePupil Slicer – Blossom Review
Pupil Slicer’s debut, Mirrors, was a jagged burst of Grinding Mathcore (complemented with tastefully picked Electronica influences) that caught my ear for its neurotic character. Come 23, my expectations for a follow-up are unfortunately high for more of the same ilk. Blossom is not Mirrors, that much is clear. Will this release be able to blossom into its own thing?
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