Fleshworks arrives with an album cover reminiscent of NIN’s art-style, and singles that sound even more commercial than Pupil Slicer’s sophomore album, Blossom. As someone who spun The Fragile on repeat for the entirety of their teenage years, the question sitting at the top of Croque’s mind then is: can Davies and co handle the commercial sound as well as a heroin-fueled Trent Reznor?