For us mere mortals, finding something to like in the realms of tech can be like finding a riff in a harsh noise album. Will Cognizance be music to Metalligator’s ears?
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Obsidian Tide – The Grand Crescendo Review
I can hear the seeds of Obsidian Tide’s voice forming on The Grand Crescendo. That is not to say that the influences cannot be clearly heard on the album. On the contrary, the soft/heavy dynamic and transitions lean heavily on Opeth still, sometimes even sounding like direct quotes. Prog Monday, anyone?
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Bekor Qilish – The Flesh Of A New God Review
The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…
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The Anchoret – It All Began With Loneliness Review
The Anchoret squanders their potential for enjoyment by sounding both too much like Opeth and not enough like Opeth. It is baffling to Croque that a lot of the bands that form to make Progressive music decide on taking on an established sound of how this genre “should” sound like—like Opeth that is! Opeth!
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Thy Catafalque – Alföld Review
Meant to be played from top to bottom, Alföld is like a charred sandwich with savory middle, sticking its most intense moments at the bookends while leaving space for the Progressive and Folk aspects of Thy Catafalque’s sound to shine in the middle. Jó étvágyat!
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Dawnwalker – House of Sand Review
Dawnwalker aren’t trying to show off. Instead, each piece of the puzzle informs the whole of this slow despair-fueled journey into death. Yes, House of Sand is an album of rock songs, but also it’s built of small details and an overwhelming feeling of self inflicted misery. Stare into its windows and be still.
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Crypts of the Unknown: Capilla Ardiente – The Siege
