Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Incipient Chaos, Árstíðir Lífsins, Botanist, and Hyperdontia, you can do that too!
Read more
Botanist – Paleobotany Review
Hey look, it’s Botanist, the band with the hammered dulcimer! A consequence of a world filled brimful of good metal bands is that bands become known by their unique thing. Paleobotany, though, is a concept album dedicated to the marvels of the gigantic plants that existed before the Chicxulub asteroid so rudely interrupted their existence. Come on in and see if this release is as big a hit as that!
Read moreThis Week In Metal, 2024 Week 16
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Locrian, The Vision Bleak, Maere, and Veriteras, you can do that too!
Read more
Locrian – End Terrain Review
The post rock and post black metal landscape is one that I’ve often had trouble exploring because of its barren conformity and over-reliance on distant peaks. With my preference for active music, the reaching for crescendos across large distances carry very little appeal, yet Locrian speak to me in a subtly textured voice. Bring on the post-itivity!
Read more
Suldusk – Anthesis Review
When Emily Highfield released her debut Suldusk album Lunar Falls, Metalligator wasn’t particularly convinced. For its few harsh edges, the folk music did not particularly strike a chord, and the album just flowed by without making much of an impact. But Anthesis? What the folk happened here??
Read more
Defying – Wadera Review
Is it black metal? Post metal? Prog metal? These are the important questions that Anti-Peat asks regarding what Poland’s Defying have done with Wadera, a horror film inspired concept album about revenge from beyond the grave. Don’t be a-scared-a of the Wadera!
Read more
Myrkur – Spine Review
The elitist uproar about Myrkur’s debut was intense and a bit ridiculous, as even if the album is bad or not, it did manage to do enough to be called Metal. As in answer to this, Myrkur decided to prove all the naysayers right by transitioning into Folk songs on her subsequent albums. As Spine arrives, we should focus on what is important here: is Spine any good? Or is it spineless?
Read more
Ashbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
Read more
Vide – The Parish Review
An anonymous one person black metal band (haven’t seen one of these before) from Louisiana, Vide self-describes their style as “Raw Post Black Metal”. Normally […]
Read moreUnlock the Krypts
Crypts of the Unknown: Lorn – Arrayed Claws
