Many people do not connect with Doom Metal and even those that do are often in stark disagreement about which bands are good and why. It is hard to make this connection come about and sometimes, it just won’t happen. Let’s hope this fire burns bright enough to light that special spark.
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Ulthar – Helionomicon Review
Ulthar impressed me mightily with the release of Providence in 2020, an album that felt unhinged and slightly chaotic but that still kept the momentum up with plenty of ideas. Fast forward to the current year and Ulthar announces that they are releasing not one, but two follow-ups to their sophomore album. Was this bold decision worth the wait?
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Ulthar – Anthronomicon
Ulthar embrace chaos in their songwriting, which can manifest as a sound that’s creatively unhinged or a sound that’s flailing without direction – sometimes all at once. Anthronomicon follows the same path as its sister album Helionomicon, only in shorter segments.
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Conjureth – The Parasitic Chambers Review
Conjureth are certainly talented. The band deals in a type of auditory chaos that could just as well be considered sloppy but that adds to the experience here – an album so aggressive and wild, bursting at its seams, that the musicians can barely hold it together. Enter the chambers of Conjureth!
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Sagen – Roots of Proctor Review
While Deathcore in expression and production, Roots of Proctor is more Death Metal in technique. This might not seem like much but this marks a crucial difference in that Sagen show that they are not one of the Deathcore bands that rely on breakdowns to save every song. So in the absence of many breakdowns, what makes it worth your time?
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Hammers of Misfortune – Overtaker Review
Overtaker, true to its name, sports an aggressively overpowering sound. From the first second to the last, it uses unpredictable slithering riffs and intensity to create a chaos that is sure to repel a lot of people, whether they’re used to intense thrash albums or not. Thrashed and overtaken, this Gator lives to tell the tale.
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Keiji Haino & Sumac – Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never Review
Come for the improv, stay for Gator’s fake haikus.
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Locrian – New Catastrophism Review
On first glance New Catastophism could look like a very one note dredging drone release, but if you descend below the surface you’ll find a beautifully textured album with a lot to discover.
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Crypts of the Unknown: Capilla Ardiente – The Siege
