Metalligator had no clue what to expect when looking at the odd album cover for Akt III: Erlösung. Some kind of raw black metal produced into harsh noise? Austrian one-man act Narzissus turns out to be a neighbor of that genre: melodic black metal, but not any kind of meloblack. Anti-Nazi meloblack. Yeah, that’s right. Fuck Nazis, no disclaimer here!
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Cognizance – Phantazein Review
For us mere mortals, finding something to like in the realms of tech can be like finding a riff in a harsh noise album. Will Cognizance be music to Metalligator’s ears?
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Alluvial – Death Is But A Door Review
Alluvial sport a sound that reminds me of Dyscarnate’s With All Their Might if they would also play around with some slams. The four songs on Death Is But A Door cover some different ground in its 17 minutes. “Bog Dweller” has some very intricate drum fills that hint at the band’s past prog chops. Chop and slam!
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Notochord – Aegis Review
Tired of searching that progressive metal tag on Bandcamp and finding a djent in your soup? Well, here’s something metalicious for you (or is it?).
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Metalligator’s Favorite Albums of 2023
The Goat Review presents an annual special: Metalligator’s Favorite Albums of 2023. Find out what our resident artist/writer deems worthy.
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Imago Resonantia – Celebrating the Visuals of Metal in 2023
The Goat Review presents an annual special: Celebrating the Visuals of Metal in 2023. Sometimes visual art speaks louder than riffs.
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Dead Times – Dead Times Review
This self titled release is decidedly mood based, as it makes use of droning beats and looping synths that sound like calm organ-led melodies to evoke a facsimile of Devotional music. Industrialized devotion.
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Dyssebeia – Garden of Stillborn Idols Review
Melodic Death Metal is truly a mixed bag of a genre. You often know what you will get when you press play. For every Carcass, The Black Dahlia Murder and Amorphis, there are thousands of At the Gates, In Flames and Insomnium clones. Are Dyssebeia also gardeners of eternal imitation?
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Nightmarer – Deformity Adrift: Reformed
The concept that the band might want to re-engineer and partially re-record such a well realized album before it is even a year old is at once intriguing and baffling. Can the deformity go even more adrift? Let’s see how well Nightmarer float with the anomalies.
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Crypts of the Unknown: Blunt Force Trauma – Vengeance for Nothing
