Extreme metal can take many forms. But in this time of ours where acts try to out-Flanderize each other — essentially extremity fitting into the mold of extremity to be extreme — there is less and less that can actually be considered extreme. Ataraxie present their vision of funeral doom as a no-frills, heavily death metal inspired affair. It may be slow, but will it rush to the top of you doom metal essentials?
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Spooktober Pairing! Fulci vs Fulci
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, Tropical Sun (by Fulci), and a classic of undead rising, Zombi 2 (by Lucio Fulci). Partake in one or both or neither, just make sure you can tell apart Fulci from Fulci…
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Blood Incantation – Absolute Elsewhere Review
2022’s Timewave Zero served a synth-oriented ambient (zero death metal) work that felt more like a proof of concept than an album fully formed. Simple and not particularly deep synth textures could not feed what deathheads craved, and for synth enthusiasts, Timewave Zero had nothing to offer that could not be found much better elsewhere. In hindsight, that album appears to have been a necessary stepping stone. It’s not out of nowhere that Blood Incantation has called forth Absolute Elsewhere — OPEN THE FUCKING GATE.
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Spooktober Pairing! The Berzerker vs Shinya Tsukamoto
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, The Berzerker (by The Berzerker), and a film from the honorable terror, Tetsuo: The Iron Man (by Shinya Tsukamoto). Partake in one or both or neither, just make sure it doesn’t drive you berserk…
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Spooktober Pairing! Regurgitate vs Peter Jackson
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the gore-kissed side, Carnivorous Erection, and a film from the spewing side, Braindead. Partake in one or both or neither, just make sure it doesn’t last more than four hours…
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Kanonenfieber – Die Urkatastrophe Review
Kanonenfieber barely qualify for the blackened death metal moniker. Their interpretation of war is one of pathos, bittersweet glory, and they express it in a matter both melodic and anthemic. And they sound surprisingly similar to Amon Amarth. Nothing like a good Viking raid in the trenches.
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Emasculator – The Disfigured and the Divine Review
Too often does an “all girl band” make that statement their main marketing gimmick. Labels too then are quick to jump on the train and defeat the emancipatory value that the tag can hold. But Emasculator? They’ve got a grip on this whole death metal thing. Rock out with your… um… head off?
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Grendel’s Sÿster – Katabasis into the Abaton / Abstieg in die Traumkammer Review
Goat hates the concept of giving the “benefit of the doubt” when it comes to music reviews. Too often, reviewers claim an album needs several listens to be rated properly. Whatever happened to trusting instincts? In our Goat’s view, this search for redeeming qualities often leads to softening critiques. But with Grendel’s Sÿster’s Katabasis into the Abaton / Abstieg in die Traumkammer, he knew immediately—no doubt about it.
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Nebülith – Feel Good Music for the End of the World Vol. 1 Review
Stoner as a genre often gets a bad rep. Sure, it’s not like the stereotypical act with a horrendously nasal vocalist, singing arhythmically over repetitive overlong songs does not exist, but similarly, many unique acts exists that are more fluid in tempo and that are willing to take other influences in. Feel good music or feel bad music?
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Crypts of the Unknown: Bergraven – Det Framlidna Minnet
