What about Pentagram has ever been “Lightning in a Bottle”? Pentagram are, fundamentally, the first all-American Sabbath rip-off. Given, Pentagram were early adopters, releasing singles all throughout the ’70s even if the first full-length only materialized in the mid-’80s. Being early is not always a good thing. Good thing lightning in a bottle strikes exactly when it needs to. Like a wizard. That’s how that works, right?
Read moreScuttlegoat’s Favorite Albums of 2024
The Goat Review presents an annual special: Scuttlegoat’s Favorite Albums of 2024. Find out what our lord and savior deems worthy. Sponsored by Gerolsteiner.
Read moreDefeated Sanity – Chronicles of Lunacy Review
Scuttlegoat just knew Chronicles of Lunacy would be good, and it led him to almost being resigned to it — “I was not excited or looking forward to it, I simply accepted that it would be good”. Oh, the drum performance! Beating some sense into your liking…
Read moreIniquitous Savagery – Edifice of Vicissitudes Review
“The vibes are right” is not a sufficient review. Unless Scuttlegoat has his way and proves indeed that with enough words, “The vibes are right” is a sufficient review. Come found out if this slab of brutal death metal hits that sweet spot.
Read morePloughshare – Second Wound Review
Albums sometimes communicate things to Scuttlegoat before he has even heard them. Sometimes this is done via the promo blurb telling him to be wary. Other times, a combination of album cover, album and track titles will tell him what to expect. While more casual metal listeners often sneer about anything that pushes beyond the 5 minute mark, to Scuttlegoat colossal song lengths might also communicate to seasoned metal listeners like himself that the album at hand is advanced listening or at least making an attempt at being a more profound, distinguished work.
Read moreVeilburner – The Duality of Decapitation and Wisdom Review
The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?
Read moreSpooktober Pairing! Impaled vs Yuzna and Gordon
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat and Transcendental Goose Boss steps forward to recommend you an album from the wild, splattery death metal side, Death After Life (by Impaled), and a classic of splatstick sexual deviance, Re-Animator (by Stuart Gordon and Brian Yuzna). Partake in one or both or neither, just know that Death After Life and Re-Animator promise that there’s more to the end than a mouthful of dirt…
Read moreAtaraxie – Le Declín Review
Extreme metal can take many forms. But in this time of ours where acts try to out-Flanderize each other — essentially extremity fitting into the mold of extremity to be extreme — there is less and less that can actually be considered extreme. Ataraxie present their vision of funeral doom as a no-frills, heavily death metal inspired affair. It may be slow, but will it rush to the top of you doom metal essentials?
Read moreSpooktober Pairing! Fulci vs Fulci
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, Tropical Sun (by Fulci), and a classic of undead rising, Zombi 2 (by Lucio Fulci). Partake in one or both or neither, just make sure you can tell apart Fulci from Fulci…
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