I don’t know where my fascination with serial killer themed metal comes from. Sure, I had a phase where I was reading up on them obsessively as a teen, before serial killers became an interest of primarily middle aged moms and I became ashamed admitting it. Join Scuttlegoat as he reignites his titillation for Monument of Middle Aged Mom’s!
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Goatreview Summer Break 2024
The Goat Review is taking its well deserved summer break. Activity on the blog will resume on Monday, August 12th. The first half of 2024 […]
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Cephalotripsy – Epigenetic Neurogenesis Review
Artistic depth has two possible extremes. One extreme tries to express itself with an increasingly diverse set of stylistic ideas, choosing to portray emotions with whatever musical idea suits them best. The other extreme of artistic depth is the exploration of a single idea from as many angles as possible. Robert Schumann once hammered the same a note on his piano until he went mad, looking for possibly the perfect expression of that one note. Steve Reich explored the shifting of rhythms, creating rhythmic polymeters as dense as they were fascinating. Cephalotripsy slam. And they do it a lot.
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Vulvodynia – Entabeni Review
Vulvodynia has built a solid following and reputation, proving that slam could be a gateway for bands from second-world nations, and that brutish, hardcore-inspired violence could be a tool for self-actualization. But sometimes knowing yourself isn’t good enough when all you want to do is punch a drummer.
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Diskord / Atvm – Bipolarities Review
Atvm and Diskord seem to approach the medium of the split with an awareness of its usual pitfalls. Bipolarities is album length and the title hints at the fact that indeed, this is an album of two distinct halves. One band says they play nice together, and the other claims that the first is lying. What’s a Goat to believe?
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Restrictor Plate – SLAMTONA 500 Review
Slam is as simplistic as it gets —barbaric, primitive, and not entirely unproblematic. And we here at Goat Review proudly celebrate these arts with our annual Slamuary tradition. But, we also ask the difficult questions, like should we also be celebrating in July?
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Hemorrhoid – Raw Materials of Decay Review
With an album cover consisting of somewhat medically accurate gore and a band pic taken on a venue toilet, we know that Hemorrhoid have no aspirations to do anything high brow or distinguished: Hemorrhoid play goregrind. Goregrind can be tough to review, as often, the genre is not made with the intent to deliver quality. Our Goat knows his brutal, underground scenes, so what sort of extreme pain have Hemorrhoid inflicted?
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Malignancy – Discontinued Review
Mid comes in different shades and within mid, different permutations of a basic 5/10 can be found. Some albums have great ideas, but squander their potential elsewhere. Others are extremely by the numbers, containing no surprises and only catering to hardcore fans of their chosen style. Nevertheless, the world can’t discontinue the mid. In mid we trust!
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Inconcessus Lux Lucis – Temples Colliding In Fire Review
Inconcessus Lux Lucis play a concoction of new wave of British heavy metal tropes with black metal and maybe the thinnest possible goth sheen. The combination of a boomer musical style with more current metal reminded me of my mixed feelings on Chapel of Disease. Luckily, Temples in Colliding in Fire doesn’t hit me in such a complicated way. Carry on reading and witness the blazing glory.
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Crypts of the Unknown: Animosity – Animal
