Tech Death used to be an arms race of dishing out what some might consider too many notes in too little time. Nowadays a lot of Tech Death has lost that aspect in what I suspect is a pursuit of greener (read: more profitable) pastures and a style of Tech that is basically a heightened form of melodic Death Metal seems to be the norm. Neurectomy make an attempt at reviving this classic style of Tech Death. Overwrought or overwritten?
Read moreDyssebeia – Garden of Stillborn Idols Review
Melodic Death Metal is truly a mixed bag of a genre. You often know what you will get when you press play. For every Carcass, The Black Dahlia Murder and Amorphis, there are thousands of At the Gates, In Flames and Insomnium clones. Are Dyssebeia also gardeners of eternal imitation?
Read moreNightmarer – Deformity Adrift: Reformed
The concept that the band might want to re-engineer and partially re-record such a well realized album before it is even a year old is at once intriguing and baffling. Can the deformity go even more adrift? Let’s see how well Nightmarer float with the anomalies.
Read moreConvocation – No Dawn for the Caliginous Night Review
My expectations were very high for this album, as they would be for any follow up in this band’s catalog. And yet again Convocation prove to be one of the best bands in the current Funeral Doom scene. So how exactly did this album leave Cosmo moonstruck?
Read moreThe Lion’s Daughter – Bath House Review
Bath House is a rawer experience that leans less on the synths, although they are still there – meaner, producing uneasy sounds that often recalls a wounded animal whining out its pain in the distance. The mood the combined elements strike is overall good and there are some hefty highlights here and there. Will Croque throw this album out with the bath water?
Read moreAutarkh – Emergent Review
Emergent turns inward and outward at the same time. The beats and glitches take on an Industrial character and serve the story more than before. I am no longer disappointed but genuinely intrigued. Emergent quality.
Read moreSuffocation – Hymns From the Apocrypha Review
The band lost a lot when Frank Mullen decided to pursue being an actor, gifting the world his performance as the Manhattan Mutilator in James Balsamo’s Sexy Time. Mullen was an icon, much more than any of the other members could be. Yet, Mullen isn’t the most unique sounding vocalist in 2023 and it makes sense that the vocal performance of current vocalist Ricky Myers is noticeably different. Definitely not asphyxiated.
Read morePlague Rider – Intensities Review
Watts’ vocal performance on Intensities sickens me in the best way; his unhinged, demented rasps on key tracks cementing some of my favorite album moments. Henderson also has a phenomenal performance: being extraordinarily technical yet never too much. Will these sounds absquatulate from Cosmo’s desiring ears?
Read moreAutopsy – Ashes, Organs, Blood and Crypts Review
Autopsy have a new album and it is time for The Goat to, yet again, praise the band for doing the things he would criticize other acts for. Autopsy sticks to what they know, but with Ashes, Organs, Blood and Crypts coming out barely a year after their last, should The Goat be concerned? Well there are guts in his teeth…
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