Metal bands often aim to be mysterious and ambivalent. They feature cover art that is truly great, with hidden meanings, and band names that make you wonder how they came up with such clever names and what they really mean. Today, however, I am going to write about Pissgrave—the exact opposite of what I just described. Their band name and album art advertise exactly what you’re going to get: death.
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Ereb Altor – Hälsingemörker Review
One of the best trends in metal right now is the recent spate of black-trad hybrids. It’s a welcome revival of a combination with a long history that makes a ton of sense as their shared love of drama goes together like blood and ice. Ereb Altor know what I’m talking about — they take their sanguine cocktails on the rocks just like Anti-Peat.
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Tubal Cain – Slime Abyss Review
Black metal used to be about icy feelings — depression, hate , borderless self-expression. Scuttlegoat, for one, is quite glad that black metal musicians have discovered that having material that can actually be grabbed on to is beneficial. He wholly welcomes the rise of blackened traditional metal, which Tubal Cain and Slime Abyss fall into nicely. What once was kvvl is now kvlt again.
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Phrenelith – Ashen Womb
Danish deathmongers Phrenelith have unleashed a monstrous slab of death metal with Ashen Womb, an album that immediately engulfs the listener in its suffocating atmosphere. From the opening moments, Phrenelith’s dense, unrelenting sound conjures the spirit of Immolation, bombarding my senses with a massive wall of sound. This womb is made for rockin’.
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Lord Agheros – Anhedonia Review
Anhedonia clearly stretches the black metal genre tag a very long way. Yes, you can hear practices inherited from black metal bands in Lord Agheros’ work, but they’re all quite divorced from the traditional framework. Yet without using that genre tag, without expressing a desire to belong to that movement, I’d have maybe missed this and that’d have been a shame.
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Shrieking Demons – The Festering Dwellers Review
Shrieking Demons namecheck Death and Autopsy as their comparables. In terms of style, that’s pretty accurate as long as we’re talking about those bands in their earlier, rawer eras. The Festering Dwellers is all malevolently melodic riffs and pounding rhythms. Is somebody gonna match their shriek?
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Sabhankra – Nocturnal Elegies Review
Album names shape expectations, and Nocturnal Elegies suggested something atmospheric. Sabhankra’s mix of melodic black metal, folk, and even thrash reinforced that idea — but they defied expectations.
Sometimes, it’s good to be wrong.
Fleshbore – Painted Paradise Review
Fleshbore don’t reinvent anything on Painted Paradise, instead sticking to the tried-and-trve formula of machine-gun blasts, rapid-fire vocals, and riffs for days. Who needs a revamp when the wheel is ablaze?
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Othaliël – Ectrülhys Review
For the first time since the Pandora’s box of Esoctrilihum opened, project mastermind Asthâghul created a side project. Othaliël is the folk-tinged fever dream parallel to Esoctrilihum’s metal-induced psychosis. You could call it a folk in the road.
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Crypts of the Unknown: Blunt Force Trauma – Vengeance for Nothing
