Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Cannibal Corpse, Hexvessel, Ashbringer, Moonlight Sorcery, Putrascension, and Solipnosis, you can do that too!
Read moreSolipnosis – Síntesis Silenciosa Review
The Chilean metal scene is an underrated gem. I’m constantly discovering bands that put a unique spin on genres such as Black Metal, Death Metal, and yes, even Thrash Metal. Solipnosis is one such band, and their take on Blackened Speed/Thrash might be the most out there version I’ve heard yet. The Chilean is out there!
Read moreCannibal Corpse – Chaos Horrific Review
While most of the band seems to just deliver about the bare minimum, George “Corpsegrinder” Fisher’s minimum is still higher than what most vocalists deliver. Fisher is not the flashiest vocalist and has a certain tone he sticks with, but it is his delivery and phrasing as a kind of master of ceremony that elevates some songs. Enjoyment horrific?
Read morePutrascension – Forever Below Review
The real highlight on this album is easily Michael Gonçalves (Replicant, Windfaerer). His vocals are absolutely unhinged, giving him a demonic edge that works so well in this style of music. His rabid shrieks, howls, and moans are reasons why it’s easy to come back to the album time and again. A few shrieks to cure the mid-week blues.
Read moreAshbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
Read moreMoonlight Sorcery – Horned Lord of the Thorned Castle Review
Like straight out of a time capsule from the late 1990s or early 2000s, Moonlight Sorcery come bursting onto the scene with their debut album Horned Lord of the Thorned Castle. This could be the band that fans of early Children of Bodom or Wintersun have been looking for over the past 20 years. September keeps on giving *eggplant emoji*.
Read moreHexvessel – Polar Veil Review
Polar Veil caught my attention simply by breaking the ice with distorted guitar in its first preview track. Hexvessel has used this before (and its members are no strangers to Metal), but Blackened Doom Metal was really not something I expected to hear from these guys. Not just another Black Metal Monday.
Read moreThis Week in Metal, 2023 Week 38
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Fabricant, Courtney Gains, Alkaloid, Terra Builder, Uada and Blood Oath, you can do that too!
Read moreBlood Oath – Lost in an Eternal Silence Review
Opening with a trippy, almost psychedelic intro, Blood Oath admittedly take their time in getting the listener hooked. With what is essentially an intro track, “Beyond the Dimensional Gates” does a good job in setting up the stage for the rest of the album rather than impress with technical prowess that the remaining tracks do. Can Cosmo be saved from a dry-pants-September?
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