Crammed full of guitar solos and Neoclassical wank, Slave to the Sword was one of the best and most-listened to albums for a High School-aged Cosmo. Now, nine years and two albums since that release, Exmortus returns fresh to Nuclear Blast with Necrophony after a couple releases on Prosthetic Records. Is this one to add to the list of Exmortus successes or does this signing to a major label signal a watered-down sound for a wider audience? Slave to the wank.
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Soen – Memorial Review
Soen’s inspirations always seemed clear to our Metalligator. Tool laid the base for their debut and Opeth’s best ex-drummer, Martin Lopez, has been a member from the start. 2019’s Lotus, however, revealed itself as a watershed moment, Soen sounding more confident than ever… To kill a mocking croc…
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Massen – Gentle Brutality Review
A hazard of venturing into deeper waters of dissonance and the more extreme ends of Metal is that these genres have a hard time impressing on that end as they have to balance melody and heaviness. Despite this I still enjoy melody, groove and selectively catchy material but drift away from things that mix in overt aspects of Pop melody. Bands like Massen are instantly fighting an uphill battle for my interest, then. But impressively, this Belarus duo bring some serious skill to the format. Massenive skill.
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Nuclear Power Trio – Wet Ass Plutonium Review
A big part of the DNA of your average Shred band nowadays is inspired by the “Big Dick Lick” Shredders of the 80s. The Satrianis, Gambales and Vais of the world are the usual prototypes of this sound, but even more recently, guitar nerds (myself included) have been smitten by the wave of late 70s/early 80s Japanese Fusion Guitarists, including the race car aesthetics of Cassiopeia and the more laid back attitude of faux-Brasilian Surfer Boy Masayoshi Takanaka – a favorite in the house of Goat. High Octane Sega Genesis Metal.
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Grand Cadaver – Deities of Deathlike Sleep Review
For all the talented people involved in Grand Cadaver (featuring members from Dark Tranquility and Katatonia, among other bands), their mission statement is simple: to write Death Metal songs that are conceived spontaneously and quickly, letting their passion for the music guide the way. Grand Cadaver are anything but sleepy.
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Blut aus Nord – Disharmonium: Nahab Review
I’m convinced that Vindsval, the figure behind peerless enigmatic Black Metal entity Blut aus Nord, picks which styles they want the next BaN album to sound on a whim. On any album, the listener could face beautiful Atmospheric or Melodic Black Metal, such as on one of the Memoria Vetusta albums or 2019’s Hallucinogen. Always bet on black.
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This Week in Metal, 2023 Week 34
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Deitus, Horrendous, Tongues, The Night Eternal, Mizmor, or 夢遊病者, you can do that too!
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夢遊病者 (Sleepwalker) – Skopofoboexoskelett Review
Skopofoboexoskelett (or Snufferdoodle as some folks call it) is an exercise in absurdity that is layered in a pulsating amount of chaos before giving way to a hypnotic end. *Eggplant emoji*.
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Mizmor – Prosaic Review
A.L.N has until now built a fascinating tool-set of sounds with his Blackened Doom Drone project Mizmor. Albums like Cairn and Yodh stand out as unique for their ability to mix genres that one could think should be at odds with each other. Though the loss of faith has fueled these journeys, should we still place our faith in Mizmor?
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Crypts of the Unknown: Lorn – Arrayed Claws
