When Peat see names and album art that suggests a band has an interest in old European history, Peat — after a sad necessity of background checking — takes a look. And when a band, like Eldingar do on their second album Lysistrata, says they’re drawing on black metal, folk, and melodeath, he hits play. You can bait a Peat with melodeath, but can you make him purr?
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Fleshgod Apocalypse – Opera Review
There will always be a special place in Cosmo’s heart for Fleshgod Apocalypse, since it was one of the first bands that he fell in love with in his formative years. But will their latest aria bridge the gap between fanbat and metal connoisseur?
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Nebülith – Feel Good Music for the End of the World Vol. 1 Review
Stoner as a genre often gets a bad rep. Sure, it’s not like the stereotypical act with a horrendously nasal vocalist, singing arhythmically over repetitive overlong songs does not exist, but similarly, many unique acts exists that are more fluid in tempo and that are willing to take other influences in. Feel good music or feel bad music?
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Vale of Pnath – Between the Worlds of Life and Death Review
The band that pops your metaphorical cherry on a genre and introduces you to the pleasures it can offer is a special one. Vale of Pnath is that band for me, being the ones to get me into technical death metal. Now they return with their third album Between the Worlds of Life and Death. Has the cherry stayed sweet, or have Vale of Pnath fallen into the pits of mediocrity?
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Crypts of the Unknown: Loss – Horizonless
