Broken Sword, Rotten Shield is the newest entry in Full of Hell’s eclectic musical canon. In a way, it’s a continuation of the bands previous record, which explored more noise rock-oriented textures inspired by ’90s outfits like Helmet or The Jesus Lizard. Hopefully the Helmet works too… cause the sword and shield certainly ain’t gonna cut it.
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Skaphos – Cult of Uzura Review
As metal subgenre hybrids go, mixing up black and death metal is one of the most natural and challenging pairings out there. It’s natural in that musicians gravitate towards taking the more extreme genres and blurring the boundaries between them to try and push things further, but therein lies the challenge too. If you do too little, you don’t stand out in a crowded field; do too much and it just becomes over-dense and loses its edge. Anti-Peat might just be telling you to edge into the kraken’s butthole with Skaphos though. Dive in!
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Landfilth – CONTROL Review
For the real amount of gains, Scuttlegoat need something loud, bassy. Something with a lack of nuance and constant aggressive dynamics. Oh, and it must be good, too.
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Diabolizer – Murderous Revelations Review
Turkey’s extreme metal scene consistently yields potent acts, and Diabolizer stand as a prime example. Following their impressive debut, Khalkedonian Death, the band returns with Murderous Revelations, an album delivering relentless, high-octane death metal. From the outset, the music grabs the listener with its sheer intensity.
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Cradle of Filth – The Screaming of the Valkyries Review
The Screaming of the Valkyries is a well-executed blast of catchy, escapist bombast that stands up to multiple listens. In particular, Anti-Peat can’t help but think how after many reviews complaining about overambitious writing and poor structure, Cradle of Filth’s songwriting drags his attention back time after time. The thing is while he’s a sucker for catchy, escapist bombast. Have you figured out what escapist bombast means to you yet, dear reader? You might just need to to get down with the CoF.
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Tubal Cain – Slime Abyss Review
Black metal used to be about icy feelings — depression, hate , borderless self-expression. Scuttlegoat, for one, is quite glad that black metal musicians have discovered that having material that can actually be grabbed on to is beneficial. He wholly welcomes the rise of blackened traditional metal, which Tubal Cain and Slime Abyss fall into nicely. What once was kvvl is now kvlt again.
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Beneath a Steel Sky – Cleave Review
Beneath a Steel Sky’s debut, Cleave, goes far beyond being just another album title. Divided into two distinct sides, like an existential sandwich, this post rock/post metal debut seems carefully structured. It’s an A and B. It’s a start and a finish. It’s a rock and a metal. Two sides, one post-y sky!
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Patriarkh – Prorok Ilja Review
For the uninitiated, this band’s original name was Batushka, or at least vocalist Bartłomiej Krysiuk tried to claim it was. But after a legal battle for the rights to the name Batushka, Krysiuk lost and was forced to rename his incarnation of Batushka. But he didn’t name it Bartushka. You might just like Prorok Ilja anyway!
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Sergeant Thunderhoof – The Ghost of Badon Hill Review
If you’re into psychedelic stoner metal and bands with names that sound like they moonlight at medieval jousts, The Ghost of Badon Hill by Sergeant Thunderhoof is for you. With a title as riveting as a wargaming brony, this album promises trippy vibes, and no curveballs about its genre.
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Crypts of the Unknown: Loss – Horizonless
