Skaphos – Cult of Uzura Review

As metal subgenre hybrids go, mixing up black and death metal is one of the most natural and challenging pairings out there. It’s natural in that musicians gravitate towards taking the more extreme genres and blurring the boundaries between them to try and push things further, but therein lies the challenge too. If you do too little, you don’t stand out in a crowded field; do too much and it just becomes over-dense and loses its edge. Anti-Peat might just be telling you to edge into the kraken’s butthole with Skaphos though. Dive in!

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Cradle of Filth – The Screaming of the Valkyries Review

The Screaming of the Valkyries is a well-executed blast of catchy, escapist bombast that stands up to multiple listens. In particular, Anti-Peat can’t help but think how after many reviews complaining about overambitious writing and poor structure, Cradle of Filth’s songwriting drags his attention back time after time. The thing is while he’s a sucker for catchy, escapist bombast. Have you figured out what escapist bombast means to you yet, dear reader? You might just need to to get down with the CoF.

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Tubal Cain – Slime Abyss Review

Black metal used to be about icy feelings — depression, hate , borderless self-expression. Scuttlegoat, for one, is quite glad that black metal musicians have discovered that having material that can actually be grabbed on to is beneficial. He wholly welcomes the rise of blackened traditional metal, which Tubal Cain and Slime Abyss fall into nicely. What once was kvvl is now kvlt again.

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