Crammed full of guitar solos and Neoclassical wank, Slave to the Sword was one of the best and most-listened to albums for a High School-aged Cosmo. Now, nine years and two albums since that release, Exmortus returns fresh to Nuclear Blast with Necrophony after a couple releases on Prosthetic Records. Is this one to add to the list of Exmortus successes or does this signing to a major label signal a watered-down sound for a wider audience? Slave to the wank.

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