Fleshworks arrives with an album cover reminiscent of NIN’s art-style, and singles that sound even more commercial than Pupil Slicer’s sophomore album, Blossom. As someone who spun The Fragile on repeat for the entirety of their teenage years, the question sitting at the top of Croque’s mind then is: can Davies and co handle the commercial sound as well as a heroin-fueled Trent Reznor?
Read moreLower 13 – Deception Review
For better or worse, Deception sounds like it stepped out of the time capsule of Monster Energy-era Metalcore from 2005-2008. For what it’s worth, the production on this album as well as the talent of the band members is present though. Don’t chug and drive.
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