Shrieking Demons namecheck Death and Autopsy as their comparables. In terms of style, that’s pretty accurate as long as we’re talking about those bands in their earlier, rawer eras. The Festering Dwellers is all malevolently melodic riffs and pounding rhythms. Is somebody gonna match their shriek?
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Moss Upon the Skull – Quest for the Secret Fire Review
Psychedelic death metal, to put it bluntly, lacks a strong definition. Often the genre is aesthetically dependent or rooted in how many Gilmourisms the guitarist deploys per solo. No matter how wet the reverb, nor how boomer the bends, these two approaches miss the fundamental underpinning of psychedelic music. But what if the riffs were really, really dank?
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Mythologik – Blood in the Sky Review
Texan duo Mythologik proclaim that Blood in the Sky features a mix of melodic blackened death metal musical tendencies with aggressive/soaring vocals like 80s thrash metal. And you know what, these Texans have some of those 80s thrash metal tendencies in the music too. We reckon, anyway. Grab the thrash bull by the horns!
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Mother of All – Global Parasitic Leviathan Review
Mother of All mastermind Martin Haumann didn’t have Steve DiGiorgio’s (Testament) services for Global Parasitic Leviathan, and men who write weird albums tend to switch sounds quickly.
So which mother are we to listen to this time?
Dissimulator – Lower Form Resistance Review
It riffs. The amount of times an album has been explained to me with just these two words is staggering. The quality of “having riffs” is enough for many a metalhead, thrashers in particular, to fall in love with an album. That said, Dissimulator riffs. But is that all?
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Walking Corpse – Our Hands, Your Throat Review
When people say Deathgrind, they can mean many different things. It is a hybrid genre, after all, and it can run the gamut from what is basically punk with growls to relentless, chaotic blasting. Walking Corpse however fit into a third category. Relentlessly supplying riff after riff after riff, they take no prisoners. Their Arms, Our Hearse.
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Blood Oath – Lost in an Eternal Silence Review
Opening with a trippy, almost psychedelic intro, Blood Oath admittedly take their time in getting the listener hooked. With what is essentially an intro track, “Beyond the Dimensional Gates” does a good job in setting up the stage for the rest of the album rather than impress with technical prowess that the remaining tracks do. Can Cosmo be saved from a dry-pants-September?
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Horrendous – Ontological Mysterium Review
Rather than being a clear evolution, Ontological Mysterium comes off as a gross mutation. The album cover preemptively states this as the three skinless faces of Horrendous’ logo have merged into something altogether darker. Red is the new black.
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Crypts of the Unknown: Loss – Horizonless
