Excursions into screamo have already convinced me that black metal and punk are naturally suited for hybridization, so why not explore further? As ideas go, it makes sense to Karg and it makes sense to Peat.
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The Infernal Deceit – The True Harmful Black Review
If there is one period and sound in metal history that gets Anti-Peat going like a small kid in a sweet shop, it’s 1990s Sweden. But can you get too much of a good thing? Join Anti-Peat as he tries to eat some German cuisine consisting of salty Swedish fish with a side of meatballs.
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Defeated Sanity – Chronicles of Lunacy Review
Scuttlegoat just knew Chronicles of Lunacy would be good, and it led him to almost being resigned to it — “I was not excited or looking forward to it, I simply accepted that it would be good”. Oh, the drum performance! Beating some sense into your liking…
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Typhonian – The Gate of the Veiled Beyond Review
I haven’t heard bands worshiping Unleashed, specifically Across the Open Sea era before, so that was a nice surprise upon pressing play and listening to the first proper track after the intro. However, this is not a short album, and while the music is largely serviceable, not everything works.
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Ingurgitating Oblivion – Ontology of Nought Review
Some albums require the help from a friend. The harrowing dissonance and existential deathly throes of Ingurgitating Oblivion’s newest offering required such assistance from a mysterious figure named Scoopmeister…. which all begs the question, who up Ingurgitatin’ they Oblivion?
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Kanonenfieber – Die Urkatastrophe Review
Kanonenfieber barely qualify for the blackened death metal moniker. Their interpretation of war is one of pathos, bittersweet glory, and they express it in a matter both melodic and anthemic. And they sound surprisingly similar to Amon Amarth. Nothing like a good Viking raid in the trenches.
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Grendel’s Sÿster – Katabasis into the Abaton / Abstieg in die Traumkammer Review
Goat hates the concept of giving the “benefit of the doubt” when it comes to music reviews. Too often, reviewers claim an album needs several listens to be rated properly. Whatever happened to trusting instincts? In our Goat’s view, this search for redeeming qualities often leads to softening critiques. But with Grendel’s Sÿster’s Katabasis into the Abaton / Abstieg in die Traumkammer, he knew immediately—no doubt about it.
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Feind – Ambulante Hirnamputation Review
Ever met an Icelandic black metal fan? You know the kind that insists that the origin of a band, despite the advancements in communication technology, fully informs their sound — transforming music into something akin to a champagne than an artistic discipline that can be studied, imitated, and paid homage to. No, of course you haven’t. That’s why you’re hear, ready to read a deathgrind review. Good taste comes to those who grind.
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Vanessa Funke – Void Review
Funke writes and writes. It almost makes the album name Void quite ironic as that’s the opposite of her discography. However, it is an apt fit for the melancholic tone she often adopts for her work. Last time around I wanted more of that bleak, sad goodness in Funke’s work. Will she fill that Void?
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Crypts of the Unknown: Lorn – Arrayed Claws
