If you have heard of Vanessa Funke, then you have probably heard of her prodigious productivity. The one woman German melodeath act has released four EPs and three full-lengths in the last three years. It’s the sort of scheduling that leads to skepticism from many. Will her latest release prove disbelievers wrong, or is it all just funky business? Peat ponders.
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Maere – …and the Universe Keeps Silent Review
The best works of dissonant avant-garde metal shed the harmonic framework of power chords, blues scales and chord-scale approaches to soloing to explore something else. Maere, however, do not manage the feat of deconstruction, an approach that, after the old structures have broken down, needs something additional in the new space. That is to say, the fancy prance of a young buck isn’t always enough to sway our Goat.
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The Vision Bleak – Weird Tales Review
Scuttlegoat has been a fan of The Vision Bleak for decades at this point. Their unique style of gothic metal inspired by the classic era of Universal horror films masterfully melds the usual overbearing cheese of the genre with an unusual crushing guitar tone. Is the forecast for the new album looking bleak?
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Chapel of Disease – Echoes of Light Review
If the only way metal can innovate is to stop being metal altogether, it will go the same way as mainstream rock—it will die. Chapel of Disease are not Imagine Dragons of course. OR ARE THEY?
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Drowned – Procul His Review
Drowned play a blend of primarily death metal mixed with some doom metal elements that wouldn’t sound out of place on a Spectral Voice or a Mortiferum album. But how does this all come together? Semi-drowned?
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Nightmarer – Deformity Adrift: Reformed
The concept that the band might want to re-engineer and partially re-record such a well realized album before it is even a year old is at once intriguing and baffling. Can the deformity go even more adrift? Let’s see how well Nightmarer float with the anomalies.
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Terra Builder – Solar Temple Review
At its best, Solar Temple has some novel ideas: the title track combines a Morbid Angel sounding riff with Grindcore intensity and “Dead Celestial” features a tremolo riff throughout that works well with the forward charging groove. So at least you could say that they’re a good Trem Builder.
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Alkaloid – Numen Review
Alkaloid have not changed much of their formula of Morbid Angel meets Yes in 2023. New to the mix is a slight push towards Heavy Metal leads that crop up here and there, as seen in “A Fool’s Desire” that opens with some acoustics recalling Caprae Idolum’s Matches EP before mixing and matching Heavy Metal with Death Metal outbursts. It doesn’t have any viola da gamba though.
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Massen – Gentle Brutality Review
A hazard of venturing into deeper waters of dissonance and the more extreme ends of Metal is that these genres have a hard time impressing on that end as they have to balance melody and heaviness. Despite this I still enjoy melody, groove and selectively catchy material but drift away from things that mix in overt aspects of Pop melody. Bands like Massen are instantly fighting an uphill battle for my interest, then. But impressively, this Belarus duo bring some serious skill to the format. Massenive skill.
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Crypts of the Unknown: Animosity – Animal
