In hindsight, I should have paid more attention to the album cover. Paolo Girardi has represented the void’s revelations as being all eyes, tendrils, and what I believe is referred to in these parts as “patented space-bunghole”. It hints at a band going for a big, disturbing sound more than what is commonly remembered from the 90s doom-death scene. Never judge a void by its cover.
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This Week In Metal, 2024 Week 20
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Inter Arma, Folterkammer, Infestus, and Moisson Livide, you can do that too!
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Inter Arma – New Heaven Review
Since diving into their body of work, fantastic experiments like the one-song prog excursion The Cavern speak of a restless band with a thirst for exploring. Both the hazy desert feel of Sulphur English and the at times show-off nature of The Cavern are important to New Heaven, as it turns out. New Heaven shocks from its first seconds by throwing its most dissonant foot forward in a jarring and feverish outburst. Welcome to dissoheaven.
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Oromet – Oromet Review
Running along to canon-ball the already big pile of Doom albums is Oromet, with their grand debut that seemingly came out of nowhere. Starting things off with a 22 minute song that sounds like an expanded version of Pallbearer’s style on their debut album Sorrow and Extinction, this band show that they are equally adapt at making such long songs. Slow motion cannon-balled.
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Crypts of the Unknown: 2024 Vol. 1
