We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat and Transcendental Goose Boss steps forward to recommend you an album from the wild, splattery death metal side, Death After Life (by Impaled), and a classic of splatstick sexual deviance, Re-Animator (by Stuart Gordon and Brian Yuzna). Partake in one or both or neither, just know that Death After Life and Re-Animator promise that there’s more to the end than a mouthful of dirt…
Read moreSpooktober Pairing! Fulci vs Fulci
We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat steps forward to recommend you an album from the wild, industrial side, Tropical Sun (by Fulci), and a classic of undead rising, Zombi 2 (by Lucio Fulci). Partake in one or both or neither, just make sure you can tell apart Fulci from Fulci…
Read moreFleshgod Apocalypse – Opera Review
There will always be a special place in Cosmo’s heart for Fleshgod Apocalypse, since it was one of the first bands that he fell in love with in his formative years. But will their latest aria bridge the gap between fanbat and metal connoisseur?
Read moreCancervo – III Review
Everyone has a to do list. Mine includes the item “listen to more doom metal”. That’s why when I saw we had promo from a stoner doom band named Cancervo, I stuck my hand up. Did Anti-Peat end up happily stoned?
Read moreHadit – Metaphysical Engines Approaching the Event Horizon Review
When it comes to blackened death metal, a band needs to stand out from the rest of the crowd if it’s going to impress people given how saturated the subgenre has become in recent years. Enter Hadit. Will this Italian band travel far, or be swallowed by the blackened death metal hole?
Read morePonte del Diavolo – Fire Blades From The Tomb Review
Enter Ponte del Diavolo (Italian for Devil’s Bridge), a band that has been steadily releasing EPs since 2020 and have now ventured into the realm of their first LP. Inksterium jumped into this with no expectation and emerged from the experience utterly perplexed. This is a nation of people who seem to possess a unique grasp of religion, moody atmosphere, and the art of seamlessly blending these into music. We promise the toll is worth it.
Read moreCrypts of the Unknown: Lorn – Arrayed Claws
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Metalligator reminisces on Lorn’s 2017 release Arrayed Claws. It may not be perfect, but how would you know?
Read moreVertebra Atlantis – A Dialogue with the Eeriest Sublime Review
This year, Gramaglia has released the follow-up Vertebra Atlantis album, A Dialogue With the Eeriest Sublime. Combining harsh, gnarled riffs and hypnotic dreamscapes, this specific blend of Progressive Death Metal may just be his magnum opus. This album is not afraid to show some real backbone, so make sure you don’t leave it at the bottom of the ocean.
Read moreBekor Qilish – The Flesh Of A New God Review
The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…
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