Crypts of the Unknown: Lorn – Arrayed Claws

Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Metalligator reminisces on Lorn’s 2017 release Arrayed Claws. It may not be perfect, but how would you know?

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Vertebra Atlantis – A Dialogue with the Eeriest Sublime Review

This year, Gramaglia has released the follow-up Vertebra Atlantis album, A Dialogue With the Eeriest Sublime. Combining harsh, gnarled riffs and hypnotic dreamscapes, this specific blend of Progressive Death Metal may just be his magnum opus. This album is not afraid to show some real backbone, so make sure you don’t leave it at the bottom of the ocean.

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Bekor Qilish – The Flesh Of A New God Review

The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…

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Putridity – Greedy Gory Gluttony Review

BDM as a genre is less of a monolith than most people think and there are nuances, and it is perfectly possible that the style of BDM that Putridity play doesn’t really connect with me all that much. This new EP, Greedy Gory Gluttony, is supposed to be a stroll through the past and showcase some of the best material Putridity have to offer. Not Greedy Gory and Gluttonous enough for this Goat?

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Becko – PRESENT DAY // PRESENT TIME Review

Tagged as “Anime Metalcore”, Becko plays a cornucopia of different genres of music, ranging from EDM to Hip-Hop to Metalcore. If there’s one positive about this release, it’s that the song “HYPNOTIZED” is the least offensive song present. I don’t mind this track, as it sounds like something fit for jamming in the background while playing a video game. Will this album wake up your inner gaming nerd?

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