Mastered by Greg Chandler (of many projects and mastering jobs), the production quality on this album is fantastic. This is highlighted in songs such as “The Weeping of a Blazing Rock”, “Destroyer of the Promethean Path”, and “Supreme Leader of a Dying Star”. While retaining its own clear identity, this project still manages to sneak in subtle nods to Ungfell/Ateiggär songwriting, especially in “Weeping…” which gets surprisingly bouncy and fun for this style of Black Metal. Imagine a The Black Satans music video but in space.
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Nuclear Power Trio – Wet Ass Plutonium Review
A big part of the DNA of your average Shred band nowadays is inspired by the “Big Dick Lick” Shredders of the 80s. The Satrianis, Gambales and Vais of the world are the usual prototypes of this sound, but even more recently, guitar nerds (myself included) have been smitten by the wave of late 70s/early 80s Japanese Fusion Guitarists, including the race car aesthetics of Cassiopeia and the more laid back attitude of faux-Brasilian Surfer Boy Masayoshi Takanaka – a favorite in the house of Goat. High Octane Sega Genesis Metal.
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Mizmor – Prosaic Review
A.L.N has until now built a fascinating tool-set of sounds with his Blackened Doom Drone project Mizmor. Albums like Cairn and Yodh stand out as unique for their ability to mix genres that one could think should be at odds with each other. Though the loss of faith has fueled these journeys, should we still place our faith in Mizmor?
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The Night Eternal – Fatale Review
Finding good Heavy Metal amongst the modern output is hard. In the most classic genres of Metal it is harder to hide behind novelty, thus tight songwriting and performances matter become more important. The Night Eternal seem to know this as they write very melodic songs with a slight Gothic bend. Nothing new really, but does Metalligatorrr find any Fatale flaws?
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Tongues – Formløse Stjerner Review
Tongues hits many taste centers with uncanny precision. From salty waves of Doom riffs echoing on the back half to spicy Death Metal outbursts to the sour and dramatic tremolo riffs of Black Metal… Tongues has licks. Taste the black metal.
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Deitus – Irreversible Review
Indeed a lot of metal doesn’t riff anymore. Particularly, Black Metal is very willing to completely drop rhythmic interest a lot of the time and become a thick, soupy soundscape of trebly tremolo and monotonous blast beats. But what about Deitus? Are they too slaves to the anti-riff?
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Miserere Luminis – Ordalie Review
So how do Miserere Luminis compare to other bands in this largely meandering, long-winded style of metal? Cosmo sorts out what’s what in the land of the kvlt.
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Ixias – Compulsive Trance Review
Compulsive Trance, after all, is a god damn mess. But in this frenzy of mouth noises that might have lyrical poignance, Ixias manages to find a careful, if not readily obvious, flow between tension and release. Our Being of Extreme Punctiation tells us about his love for trance. Wait what?
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Putridity – Greedy Gory Gluttony Review
BDM as a genre is less of a monolith than most people think and there are nuances, and it is perfectly possible that the style of BDM that Putridity play doesn’t really connect with me all that much. This new EP, Greedy Gory Gluttony, is supposed to be a stroll through the past and showcase some of the best material Putridity have to offer. Not Greedy Gory and Gluttonous enough for this Goat?
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Crypts of the Unknown: Animosity – Animal
