The album oscillates between droney soundscapes that come across as somewhat improvised, and more focused gothic-leaning classic Doom. I am not aware of the methodology of improvisation used here, whether there were rules or guidelines, but the droney sections of the album are pleasant and even provide a sense of mental relief. But is this all enough to set Goat’s charts ablaze?
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Ôros Kaù – Thanatos Review
Right off the bat, the album opens with riffs that are meant to evoke the listener into a state of trance-like meditation. Album highlights include “Marbas” and “Dawn of the Red Scorpio”, two tracks that really emphasize the moments where this project excels: mixing furious Black Metal and ritualistic chant-singing that gets layered over the growls for a unique and welcome experience. Be careful not to get trapped in the trem-like… I mean trance-like state.
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Crypts of the Unknown: Animosity – Animal
