“The vibes are right” is not a sufficient review. Unless Scuttlegoat has his way and proves indeed that with enough words, “The vibes are right” is a sufficient review. Come found out if this slab of brutal death metal hits that sweet spot.
Read morePloughshare – Second Wound Review
Albums sometimes communicate things to Scuttlegoat before he has even heard them. Sometimes this is done via the promo blurb telling him to be wary. Other times, a combination of album cover, album and track titles will tell him what to expect. While more casual metal listeners often sneer about anything that pushes beyond the 5 minute mark, to Scuttlegoat colossal song lengths might also communicate to seasoned metal listeners like himself that the album at hand is advanced listening or at least making an attempt at being a more profound, distinguished work.
Read moreVeilburner – The Duality of Decapitation and Wisdom Review
The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?
Read moreEldingar – Lysistrata Review
When Peat see names and album art that suggests a band has an interest in old European history, Peat — after a sad necessity of background checking — takes a look. And when a band, like Eldingar do on their second album Lysistrata, says they’re drawing on black metal, folk, and melodeath, he hits play. You can bait a Peat with melodeath, but can you make him purr?
Read moreEphialtes – Melas Oneiros Review
Most of us started something new during the Covid pandemic. Polish scene veteran Quazarre (Devilish Impressions, Asgaard, Crionics) started another band and called it Ephialtes after the Ancient Greek word for nightmare. He then doubled down on it by calling the debut album Melas Oneiros, which means black dream, or nightmare. It’s not everyday someone is so considerate as to make their thematic inspirations so clear.
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