With their debut, Aftryk, Danish band Vægtløs promise a mix of power and delicacy, grip and release, packed within four tracks that comfortably traverse the realms of black metal, post metal, and post rock. And though its namesake translates to “imprint,” does Aftryk do enough for you to remember its cause?
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This Week In Metal, 2024 Week 3
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Notochord, Svdestada, Cancer Christ, Saevus Finis, and Alluvial you can do that too!
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Notochord – Aegis Review
Tired of searching that progressive metal tag on Bandcamp and finding a djent in your soup? Well, here’s something metalicious for you (or is it?).
Read moreThis Week In Metal, 2023 Week 44
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Autopsy, Suffocation, Autarkh, Lower 13, and Plague Rider, you can do that too!
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Autarkh – Emergent Review
Emergent turns inward and outward at the same time. The beats and glitches take on an Industrial character and serve the story more than before. I am no longer disappointed but genuinely intrigued. Emergent quality.
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Ashbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
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Aodon – Portraits Review
Portrait of a disintrested Gator.
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Inherus – Beholden Review
“In her what-!?” – exclaims a bewildered Gator.
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The Ocean – Holocene Review
Trip-hoppin’ in the ocean.
Read moreUnlock the Krypts
Crypts of the Unknown: 2024 Vol. 1
