Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Autopsy, Suffocation, Autarkh, Lower 13, and Plague Rider, you can do that too!
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Autarkh – Emergent Review
Emergent turns inward and outward at the same time. The beats and glitches take on an Industrial character and serve the story more than before. I am no longer disappointed but genuinely intrigued. Emergent quality.
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Ashbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
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Aodon – Portraits Review
Portrait of a disintrested Gator.
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Inherus – Beholden Review
“In her what-!?” – exclaims a bewildered Gator.
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The Ocean – Holocene Review
Trip-hoppin’ in the ocean.
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Slumbering Sun – The Ever-Living Fire Review
Many people do not connect with Doom Metal and even those that do are often in stark disagreement about which bands are good and why. It is hard to make this connection come about and sometimes, it just won’t happen. Let’s hope this fire burns bright enough to light that special spark.
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Keiji Haino & Sumac – Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never Review
Come for the improv, stay for Gator’s fake haikus.
Read moreUnlock the Crypts
Crypts of the Unknown: Lorn – Arrayed Claws
