I can hear the seeds of Obsidian Tide’s voice forming on The Grand Crescendo. That is not to say that the influences cannot be clearly heard on the album. On the contrary, the soft/heavy dynamic and transitions lean heavily on Opeth still, sometimes even sounding like direct quotes. Prog Monday, anyone?
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This Week in Metal, 2023 Week 41
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Stortregn, Baring Teeth, Afterbirth, Manbryne, and Vertebra Atlantis, you can do that too!
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Afterbirth – In But Not Of Review
The Post-Metal influence is dialed up a bit and the band again reaches into what I would call Relaxing Death Metal territory (RXDM is a term me and a colleague have made up to describe Death Metal that plays around with relaxing atmospheres and major key playing at the same time as being heavy, think bands like Sweven, Gold Spire and in part, this year’s Tomb Mold). But is In But Not Of in?
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Stortregn – Finitude Review
Stortregn produced my favorite record of 2021. Impermanence stands as what most Tech Death, and even fewer Melodic Death, Metal bands could not achieve—a Progressive album without using any of the tropes of the genre, forming instead full songs of smaller themes and motifs. I couldn’t tell you what the album was about—the cover art displaying Girardi’s patented space-bunghole lost all meaning years ago—but I surely felt it, on an emotional and intellectual level alike. Drink deeply of death metal and cosmic anus.
Read moreThis Week in Metal, 2023 Week 37
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Tomb Mold, Altarage, Bekor Qilish, Feral, Crawl, Ôros Kaù, and Undergang, you can do that too!
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Bekor Qilish – The Flesh Of A New God Review
The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…
Read moreThis Week in Metal, 2023 Week 34
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Deitus, Horrendous, Tongues, The Night Eternal, Mizmor, or 夢遊病者, you can do that too!
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Tongues – Formløse Stjerner Review
Tongues hits many taste centers with uncanny precision. From salty waves of Doom riffs echoing on the back half to spicy Death Metal outbursts to the sour and dramatic tremolo riffs of Black Metal… Tongues has licks. Taste the black metal.
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Horrendous – Ontological Mysterium Review
Rather than being a clear evolution, Ontological Mysterium comes off as a gross mutation. The album cover preemptively states this as the three skinless faces of Horrendous’ logo have merged into something altogether darker. Red is the new black.
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Crypts of the Unknown: Lorn – Arrayed Claws
