Stortregn – Finitude Review

Stortregn produced my favorite record of 2021. Impermanence stands as what most Tech Death, and even fewer Melodic Death, Metal bands could not achieve—a Progressive album without using any of the tropes of the genre, forming instead full songs of smaller themes and motifs. I couldn’t tell you what the album was about—the cover art displaying Girardi’s patented space-bunghole lost all meaning years ago—but I surely felt it, on an emotional and intellectual level alike. Drink deeply of death metal and cosmic anus.

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Bekor Qilish – The Flesh Of A New God Review

The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…

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Serpent of Old – Ensemble Under the Dark Sun Review

Transcending Obscurity certainly knows how to sign and release quality Black Metal. This year alone has seen high tier stuff from Decipher and Burial Hordes. Now, Serpent of Old looks to join that pantheon. A brand new band from Turkey, their debut album Ensemble Under the Dark Sun promises long form excellence, if the promo sheet is to be believed. These sheets can be deceiving, though. Does this snake slither its way to success or does it end up eating its tail instead?

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