Fleshworks arrives with an album cover reminiscent of NIN’s art-style, and singles that sound even more commercial than Pupil Slicer’s sophomore album, Blossom. As someone who spun The Fragile on repeat for the entirety of their teenage years, the question sitting at the top of Croque’s mind then is: can Davies and co handle the commercial sound as well as a heroin-fueled Trent Reznor?
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Dawnwalker – The Unknowing Review
While previous Dawnwalker albums have explored the realms of “post” and prog, The Unknowing shifts into a more enigmatic and spectral realm. Norgate’s vocals, guitar and keys intertwine with an eclectic mix of contributions, discreet elements like the flute which give it a faint Jethro Tull vibe without ever feeling derivative. Call. Forth. The jazz flute. And adventure into the unknown.
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Alice F’s Favorite Albums of 2023
The Goat Review presents an annual special: Alice F’s Favorite Albums of 2023. Find out what our wild-card writer deems worthy.
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Metalligator’s Favorite Albums of 2023
The Goat Review presents an annual special: Metalligator’s Favorite Albums of 2023. Find out what our resident artist/writer deems worthy.
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Pupil Slicer – Blossom Review
Pupil Slicer’s debut, Mirrors, was a jagged burst of Grinding Mathcore (complemented with tastefully picked Electronica influences) that caught my ear for its neurotic character. Come 23, my expectations for a follow-up are unfortunately high for more of the same ilk. Blossom is not Mirrors, that much is clear. Will this release be able to blossom into its own thing?
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Crypts of the Unknown: Incubator – McGillroy the Housefly
