Enter Ponte del Diavolo (Italian for Devil’s Bridge), a band that has been steadily releasing EPs since 2020 and have now ventured into the realm of their first LP. Inksterium jumped into this with no expectation and emerged from the experience utterly perplexed. This is a nation of people who seem to possess a unique grasp of religion, moody atmosphere, and the art of seamlessly blending these into music. We promise the toll is worth it.
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Ministry – HOPIUMFORTHEMASSES Review
Fast forward 12 years and Ministry have put out five albums after their supposed death, digging deeper and deeper into the shit. Before Relapse you were always in on the joke, but now, Ministry are content to be the joke instead. Masses beware: this hopium might leave you high on disappointment.
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Apogean – Cyberstrictive Review
Wasting no time with an intro piece, this album kicks off with “Bluelight Sonata”, which does a good job showcasing what Apogean does correctly: hooky, catchy riffs. Unlike their contemporaries in the tech death scene, this band focuses more on writing riffs than writing wanksterpieces. But is that enough to get a high score from the eggplant bat?
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Cyberaktif – eNdgame Review
Sophomore Cyberaktif album eNdgame arrives with a ton of history resting on its shoulders, with some of its songs beginning life as a Skinny Puppy album that never saw release. Industrial history lesson from Metalligator to get this weekend started!
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Stygian Crown – Funeral for a King Review
Overall, I was not really sold on their debut, but Funeral for a King sees Stygian Crown return with significantly improved writing and performances, as they seem to lean into their death doom influence stronger than before. The amalgamation of death and epic doom tropes leads to a uniquely feeling album. But will it reign supreme in our Goat’s estimation?
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Fathomless Ritual – Hymns for the Lesser Gods Review
The Goat once waxed poetically about the challenges of wearing your influences on your sleeve a little too much. One potential offender, Fabricant, overcame this issue by adjusting for the time that had passed, imagining a Demilich that never stopped making music and took in new ideas without ever losing track of who they were. Fathomless Ritual is a Demilich worship band as well and similarly don’t feel like a total ripoff. Even still, do they do more than just play riffs like lesser gods?
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Crypts of the Unknown: Loss – Horizonless
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Metalligator reminisces on Loss’s 2017 release Horizonless. It may not be perfect, but how would you know?
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Golden Core – Kosmos Brenner Review
Golden Core have shoved a lot of black metal influence into their work here. At their very best they use it as a violent cathartic contrast to follow up passages of head-nodding, rumbling stoner fare. Cosmos Tremmer makes a Kosmos Brenner!
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Griffon – De Republica Review
Taking a decidedly anti-authoritarian and perhaps even antifascist perspective, each song here is about a different time period in history, with the prime focus being French history. Every track takes on a melancholic tinge, and can be considered laments, because nothing feels triumphant. What a Monday pick-me-up!
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Crypts of the Unknown: Lorn – Arrayed Claws
