There are moments of clarity on Burn the Circus that show hints of potential. “Clockwork God”, for example, is an early highlight. Keyboards that sound like circus organs are used heavily, and it works, along with the frankly great riffs present. When Tardigrade Inferno lean into riffwriting, it shows their penchant for writing groovy, fun riffs. But in the end, will we find Cosmo nailed to the Ferris Wheel?
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Arkona – Kob’ Review
Arkona’s 2018 album Khram really impressed Cosmo. Now, five years later, they return with Kob’. Can they impress the easily impressed Cosmo again?
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Tardigrade Inferno – Arrival of a Train Review
Scuttlegoat opens an avant-garde box only to be ambushed by nu-metal.
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7 H. Target – Yantra Creating Review
It seems that it is a rite of passage for Tech Death acts to at some point play up the transcendental nature of their music. This usually manifests either as a Buddhist influence or more general Indian mysticism. 7 H. Target, Russian Slam weirdos, have now also committed to the trope. Are they on or off target?
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Рожь – Всё Review
Рожь (pronounced Rozh) certainly seem competent enough instrumentally and strive to make mood music with some swelling builds. The intent is not to rip and tear like regular black metal but rather to present something that is either epic, sorrowful, atmospheric and/or ethereal.
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Crypts of the Unknown: Incubator – McGillroy the Housefly
