This short release contains seven prime cuts of Undergang, clocking in at a tight 21 minutes. If you’ve listened to this band before, specifically Misantropologi, then this EP feels like a direct continuation of that album. Take a listen, don’t let the meat spoil.
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Ôros Kaù – Thanatos Review
Right off the bat, the album opens with riffs that are meant to evoke the listener into a state of trance-like meditation. Album highlights include “Marbas” and “Dawn of the Red Scorpio”, two tracks that really emphasize the moments where this project excels: mixing furious Black Metal and ritualistic chant-singing that gets layered over the growls for a unique and welcome experience. Be careful not to get trapped in the trem-like… I mean trance-like state.
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Bekor Qilish – The Flesh Of A New God Review
The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…
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Sylosis – A Sign of Things to Come Review
Metalcore was always present in Sylosis’ concoction of genres but it always tilted more towards the older Hardcore leaning bands. Opening song “Deadwood” is like an autostereogram of small amounts of Dyscarnate stomp and shouted Slipknot vocals that gradually come into focus in a Linkin Park refrain. But in the end, does it even matter? Find out in this review…
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Dying Fetus – Make Them Beg For Death Review
“Feast of Ashes”, with probably the best solo on the record, immediately trading moods with the grindiest track on the album, “Throw them in the Van” shows that Dying Fetus still knows how it’s done. That track in particular demonstrates that the band has not forgotten its roots and a quick grinder like that is something the band would’ve likely eschewed on their last two outings. Dying Fetus won’t allow you to become a dying fanboy.
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THORN – Evergloom Review
Peering behind the intricate layering of instruments, different reverbs and generally murky production is often a band whose sound appears barbaric and violent. Evergloom indeed gets much better as it goes along and THORN has a good grasp of when to pull back the murk from time to time. Every thorn has its glee.
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Gridlink – Coronet Juniper Review
Our Metalligator says Coronet Juniper is about to punch you in the face. While our Alice says that Coronet Juniper comes out the gates swinging with songs that stand shoulder to shoulder with Longhena’s best. This was never going to be a normal review for our Gridlink hopeful writers, so feast on two different takes of Gridlink’s latest. You’ll be drunk on Grind in no time!
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Acausal Intrusion – Panpsychism Review
Acsual Intrusion seemed initially somewhat interesting. Their style of Dissodeath seemed to have an odd influence from the Brutal Death Metal realm, even if only in the production values, most notably the snare. Nulitas, the debut, was exciting on some level, but it never managed to worm itself into my rotation, and in hindsight, I must admit that the issues being present in this newest album have been foreshadowed right from the start. Homeopathic levels of creativity make Goat a dull boy.
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Soen – Memorial Review
Soen’s inspirations always seemed clear to our Metalligator. Tool laid the base for their debut and Opeth’s best ex-drummer, Martin Lopez, has been a member from the start. 2019’s Lotus, however, revealed itself as a watershed moment, Soen sounding more confident than ever… To kill a mocking croc…
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Crypts of the Unknown: Animosity – Animal
