The Goat Review presents an annual special: Scuttlegoat’s Favorite Albums of 2023. Find out what our lord and savior deems worthy.
Read moreMetalligator’s Favorite Albums of 2023
The Goat Review presents an annual special: Metalligator’s Favorite Albums of 2023. Find out what our resident artist/writer deems worthy.
Read moreAfterbirth – In But Not Of Review
The Post-Metal influence is dialed up a bit and the band again reaches into what I would call Relaxing Death Metal territory (RXDM is a term me and a colleague have made up to describe Death Metal that plays around with relaxing atmospheres and major key playing at the same time as being heavy, think bands like Sweven, Gold Spire and in part, this year’s Tomb Mold). But is In But Not Of in?
Read moreBlood Oath – Lost in an Eternal Silence Review
Opening with a trippy, almost psychedelic intro, Blood Oath admittedly take their time in getting the listener hooked. With what is essentially an intro track, “Beyond the Dimensional Gates” does a good job in setting up the stage for the rest of the album rather than impress with technical prowess that the remaining tracks do. Can Cosmo be saved from a dry-pants-September?
Read moreThis Week in Metal, 2023 Week 37
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Tomb Mold, Altarage, Bekor Qilish, Feral, Crawl, Ôros Kaù, and Undergang, you can do that too!
Read moreTomb Mold – The Enduring Spirit Review
What we get on The Enduring Spirit is certifiably fantastic, but I cannot say that I could have foreseen the direction Tomb Mold would take with this album – or that anyone could have, really. This new album utilizes the dichotomy between different textures, tonalities, timbres and moods like I haven´t heard a metal album do in quite a while. Dining on that fine mold.
Read more