For us mere mortals, finding something to like in the realms of tech can be like finding a riff in a harsh noise album. Will Cognizance be music to Metalligator’s ears?
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Plague Rider – Intensities Review
Watts’ vocal performance on Intensities sickens me in the best way; his unhinged, demented rasps on key tracks cementing some of my favorite album moments. Henderson also has a phenomenal performance: being extraordinarily technical yet never too much. Will these sounds absquatulate from Cosmo’s desiring ears?
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Warcrab – The Howling Silence Review
The Howling Silence is definitely very easy to listen to. The material grooves and very little about it is inoffensive. Safe to say, this Warcrab will not leave you shell-shocked.
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Steven Wilson – The Harmony Codex Review
What makes much of this material stick is that Steven Wilson is meticulous at sound production and getting a live feel out of the instruments. Mixing this with the Electronic focus of many of these songs makes for some music that operates, production-wise, on a level that is unusual today. Sometimes the future doesn’t bite.
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Sylosis – A Sign of Things to Come Review
Metalcore was always present in Sylosis’ concoction of genres but it always tilted more towards the older Hardcore leaning bands. Opening song “Deadwood” is like an autostereogram of small amounts of Dyscarnate stomp and shouted Slipknot vocals that gradually come into focus in a Linkin Park refrain. But in the end, does it even matter? Find out in this review…
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Deitus – Irreversible Review
Indeed a lot of metal doesn’t riff anymore. Particularly, Black Metal is very willing to completely drop rhythmic interest a lot of the time and become a thick, soupy soundscape of trebly tremolo and monotonous blast beats. But what about Deitus? Are they too slaves to the anti-riff?
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Wytch Hazel – IV: Sacrament Review
Did Wytch Hazel convince our lord Goat to convert?
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Pupil Slicer – Blossom Review
Pupil Slicer’s debut, Mirrors, was a jagged burst of Grinding Mathcore (complemented with tastefully picked Electronica influences) that caught my ear for its neurotic character. Come 23, my expectations for a follow-up are unfortunately high for more of the same ilk. Blossom is not Mirrors, that much is clear. Will this release be able to blossom into its own thing?
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Haken – Fauna Review
Emerging from their recent affair with djent, Haken are reaching back to their tried and true progressive metal style that graced albums like The Mountain and Affinity, with their new album Fauna. You will find plenty of synth led shenanigans that remind of the early Haken albums. Forget the flora, this is all about the fauna!
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Crypts of the Unknown: Blunt Force Trauma – Vengeance for Nothing
