Atmosphere in Wayfarer’s world is a consequence of understanding the history of the genres they decided to meld, rather than relying on samples or insisting on flavor where there is none, like so many Black Metal artists tend to do. Take a sip of American Gothic.
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Dreamwell – In My Saddest Dreams, I Am Beside You Review
If Screamo and elements of Math and Hardcore variety meets Post-Rock build-ups sounds like your idea of a bad gimmick, perhaps Dreamwell’s sophomore album, In My Saddest Dreams, I Am Beside You will come as a pleasant surprise. Hopefully as a good dream.
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Cirith Ungol – Dark Parade Review
The Dark Parade has the ideal kind of throwback production. The album feels organic, warm but natural. The worst tendencies of retro producers – too much reverb and artificially roughing up the production – are mostly eschewed. RAISE YOUR SWORD!
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Reverend Kristin Michael Hayter – SAVED! Review
Hayter’s name change to Reverend Kristin Michael Hayter is about switching focus toward healing rather than pain, and supplies ample reason for that change even if the music is a stone’s throw away from the Lingua Ingota project. The Christian Hater returns!
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Afterbirth – In But Not Of Review
The Post-Metal influence is dialed up a bit and the band again reaches into what I would call Relaxing Death Metal territory (RXDM is a term me and a colleague have made up to describe Death Metal that plays around with relaxing atmospheres and major key playing at the same time as being heavy, think bands like Sweven, Gold Spire and in part, this year’s Tomb Mold). But is In But Not Of in?
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Seraphic Entombment – Sickness Particles Gleam Review
Even when Seraphic Entombment can´t break out of their own framework within a song, there is some slight variation and mood shift. Particularly the two shorter songs breathe some life into the album in how they seem faster and more riff oriented. Maybe some additional CPR is required.
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Disfiguring The Goddess – The Brutal Machine Review
It is no surprise to me that an album like Disfiguring The Goddess’ newest, The Brutal Machine, has not made waves. The concoction of popular electronic music with Deathcore doesn´t really seem like the thing that the most kvlt among metal elitists would champion, even though it appears similarly extravagant. Time for some brutal reviewer machine.
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Cannibal Corpse – Chaos Horrific Review
While most of the band seems to just deliver about the bare minimum, George “Corpsegrinder” Fisher’s minimum is still higher than what most vocalists deliver. Fisher is not the flashiest vocalist and has a certain tone he sticks with, but it is his delivery and phrasing as a kind of master of ceremony that elevates some songs. Enjoyment horrific?
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Putrascension – Forever Below Review
The real highlight on this album is easily Michael Gonçalves (Replicant, Windfaerer). His vocals are absolutely unhinged, giving him a demonic edge that works so well in this style of music. His rabid shrieks, howls, and moans are reasons why it’s easy to come back to the album time and again. A few shrieks to cure the mid-week blues.
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Crypts of the Unknown: Bound and Gagged – Fornicate the Gutted
