Black metal used to be about icy feelings — depression, hate , borderless self-expression. Scuttlegoat, for one, is quite glad that black metal musicians have discovered that having material that can actually be grabbed on to is beneficial. He wholly welcomes the rise of blackened traditional metal, which Tubal Cain and Slime Abyss fall into nicely. What once was kvvl is now kvlt again.
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Pentagram – Lightning in a Bottle Review
What about Pentagram has ever been “Lightning in a Bottle”? Pentagram are, fundamentally, the first all-American Sabbath rip-off. Given, Pentagram were early adopters, releasing singles all throughout the ’70s even if the first full-length only materialized in the mid-’80s. Being early is not always a good thing. Good thing lightning in a bottle strikes exactly when it needs to. Like a wizard. That’s how that works, right?
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The Cimmerian – An Age Undreamed Of Review
The promo describes The Cimmerian as a doom/thrash band, and given Peat regards regard those two genres as going in two opposite directions, he was really curious to see just how exactly that would work. Is this genre fusion or just another midlife crisis?
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Pillar of Light – Caldera Review
The second a band chooses to use a Lewandowski painting for their cover, they set a certain expectation. Ever since his association with Bell Witch’s seminal funeral doom album, Mirror Reaper, this decision implies a certain confidence in quality. Detroit’s own Pillar of Light should know this. With the quiet-loud formula brought to bear on their debut album, Caldera, they make the case that they earn this monolithic cover through sheer emotional heft. It just might blow your top off.
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Gigan – Anomalous Abstractigate Infinitessimus Review
Gigan have crafted one hell of a technical death metal album, with an extra emphasis on technical riff craft and song composition, rather than a flurry of notes flung the listener’s way in a masturbatory ode to self-excess. More brain, less bludgeon.
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Veilburner – The Duality of Decapitation and Wisdom Review
The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?
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Black Curse – Burning in Celestial Poison Review
Black Curse had huge shoes to fill with sophomore album Burning in Celestial Poison, as the sophomore hump is the true test for bands to prove that they’re not a once-and-done affair. Thankfully, Burning in Celestial Poison not only surpasses the hump, but makes every other war metal album released this year appear as threatening as pool noodles in terms of sheer aggression and vitriol. So grab your pool noodles, we’re going to war!
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The Black Dahlia Murder – Servitude Review
For newcomers, Servitude serves up the same kind of cutthroat melodic death metal that this band has been putting out for shy over 20 years now, with a sound that bleeds in colors of Carcass and At the Gates, among others. Fans will find a good album that harkens back to the sound of albums like Nocturnal. The Black Dahlia Murder are very much still alive.
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Morticide – Death Cannot Hold Those with Purpose… Review
The call of fresh blood persists, and a new voice from beyond the mortal veil has risen to cast judgement on that which whelms neither of the over or under variety. But can the untested figure out how one kills death?
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Crypts of the Unknown: Loss – Horizonless
