Scuttlegoat has been a fan of The Vision Bleak for decades at this point. Their unique style of gothic metal inspired by the classic era of Universal horror films masterfully melds the usual overbearing cheese of the genre with an unusual crushing guitar tone. Is the forecast for the new album looking bleak?
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BRUTALISM – Solace in Absurdity Review
BRUTALISM seem like they are committed to making quality brutal death metal. The band knows how to groove and how to construct riffs and manages to walk the tightrope between skronky technicality and groove with ease. But will our resident goat find solace in this brutal death metal?
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Venomous Echoes – Split Formations and Infinite Mania Review
Morbid Angel, Howls of Ebb, Esoctrilihum, Portal and Ulthar all are imitated during individual sections of Split Formations And Infinite Mania and Venomous Echoes usually do so in a tasteful manner, straddling the line between inspiration and pastiche overall rather successfully. I have heard all of this better elsewhere, but the combination and variety is pleasant, even at the risk of turning into needle drop death metal.
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Saturday Night Satan – All Things Black Review
All Things Black is more early Ghost than The Devil’s Blood and more Scooby Doo than it is The Omen. Something about the songs can be quite catchy and a lot of it sits in guilty pleasure territory. Deplorable or delicious, or both?
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Crypts of the Unknown: Bound and Gagged – Fornicate the Gutted
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Scuttlegoat reminisces on Bound and Gagged’s 2002 release Fornicate the Gutted. It may not be perfect, but how would you know?
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Wounds – Ruin Review
Fast runs, hairpin turns and extended harmonies, Wounds does it rather competently, making my head nod during select moments and my foot tap throughout. But some albums are harder to review than others.
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Crypts of the Unknown: Animosity – Animal
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Scuttlegoat reminisces on Animosity’s 2007 release Animal. It may not be perfect, but how would you know?
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Crypts of the Unknown: Capilla Ardiente – The Siege
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Scuttlegoat reminisces on Capilla Ardiente’s 2019 release The Siege. It may not be perfect, but how would you know?
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Stygian Crown – Funeral for a King Review
Overall, I was not really sold on their debut, but Funeral for a King sees Stygian Crown return with significantly improved writing and performances, as they seem to lean into their death doom influence stronger than before. The amalgamation of death and epic doom tropes leads to a uniquely feeling album. But will it reign supreme in our Goat’s estimation?
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Crypts of the Unknown: 2024 Vol. 1
