Ephialtes – Melas Oneiros Review

Most of us started something new during the Covid pandemic. Polish scene veteran Quazarre (Devilish Impressions, Asgaard, Crionics) started another band and called it Ephialtes after the Ancient Greek word for nightmare. He then doubled down on it by calling the debut album Melas Oneiros, which means black dream, or nightmare. It’s not everyday someone is so considerate as to make their thematic inspirations so clear.

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Iotunn – Kinship Review

Access All Worlds, Iotunn’s first full-length release, took the Gator’s top spot back in 2021. While in hindsight, he may choose different these days, Aldará’s vocals are in part the anchor that makes Access All Worlds remarkable to the Gator, as the music leaves a lot of room for him to insert melodrama and meaning to the often grand sounding riffs. But will Kinship remain in kissing favor with our favorite reptilian?

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Spooktober Pairing! Impaled vs Yuzna and Gordon

We here at The Goat Review embrace both the spooky in sound and in picture. Today, our own Scuttlegoat and Transcendental Goose Boss steps forward to recommend you an album from the wild, splattery death metal side, Death After Life (by Impaled), and a classic of splatstick sexual deviance, Re-Animator (by Stuart Gordon and Brian Yuzna). Partake in one or both or neither, just know that Death After Life and Re-Animator promise that there’s more to the end than a mouthful of dirt…

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Ataraxie – Le Declín Review

Extreme metal can take many forms. But in this time of ours where acts try to out-Flanderize each other — essentially extremity fitting into the mold of extremity to be extreme — there is less and less that can actually be considered extreme. Ataraxie present their vision of funeral doom as a no-frills, heavily death metal inspired affair. It may be slow, but will it rush to the top of you doom metal essentials?

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