Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Aitheer, Lunar, Kazea, and Dissocia, you can do that too!
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Dissocia – To Lift the Veil Review
How a genre that is built on experimentation and outside the box songwriting ends up sounding all the same and using the same tricks just baffles me. But once in a while, an act shows up and makes me pay attention because of their knack for individual expression. Did Dissocia just look at the handbook and throw it out the window?
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Kazea – I, Ancestral Review
Our resident Post-Queen, Inksterium, may not realize always that post-genres call for her. However, Kazea, a Gothenburg-based trio formed by ex-members of Orochen and Hellsongs, provide a lived-in force to their debut experience I, Ancestral. But all post and no play can still made the Queen a dull monarch. Can Kazea possibly please the Crown?
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Lunar – Tempora Mutantur Review
As a patchwork ensemble centered around a few fixed members, Lunar have always seemed to be chasing a cohesive vision. Where sleights of hand have given way to frosted and fixed landscapes, has Tempora Mutantur crystallized the Lunar sound in proggy bliss?
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Dripping – Disintegration of Thought Patterns During a Synthetic Mind Traveling Bliss
Join us as Scuttlegoat reminisces on Dripping’s 2002 release Disintegration of Thought Patterns During a Synthetic Mind Traveling Bliss. Oh, never heard of it? Well here in the Crypts we specialize in the unknown, the uncelebrated, and the uncovered, no matter how recent or distant. We can’t keep all our dirty little secrets… especially when they ooze out of our slamming unconscious thoughts.
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Aitheer – The Serpent Review
Many a reviewer will tell you that music PR is good mainly for laughs or danger warnings, but I find it a useful guide to a band’s intentions. You see, where most PR releases cite influential and benchmark bands, Aitheer’s mentions none and instead throws around words like cinematic and theatric. And just like that, I have a way to frame The Serpent.
Read moreThis Week In Metal, 2025 Week 10
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Marrowomb, Maud the Moth, and Hirax you can do that too!
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Hirax – Faster Than Death Review
When bears don’t mosh, they rummage through some thrash. Will the return of Hirax induce some bear-fisted action, or will they leave Bobo hanging in the trash pit?
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Marrowomb – Phiesnomie Review
Phisenomie is a collection of tracks that roughly deal in the same kind of sound as Vredehammer — blackened death metal focused on furious riffs that trade blows across the songs. Where Marrowomb manage to stand out is in some odd rhythms and use of dissonant chords that is a clear heritage from its creators time in Polyptych. As it stand, tough, our Gator may have a few bones to pick with its dedication to the mighty riff.
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Crypts of the Unknown: Animosity – Animal
